Organization

Sänger

Sopran

Danielle de Niese

Poppea

Countertenor

Philippe Jaroussky

Nero

Anna Bonitatibus

Oktavia

Max Emanuel Cencic

Otho

Ana Quintans

Drusilla

José Lemos

Oktavias Amme

Robert Burt

Arnalta

Tenor

Terry Wey

Lukan

Mathias Vidal

Bass

Damian Whiteley

Merkur

Dirigat

William Christie

Regie

Pier Luigi Pizzi

Bühnenbild

Kostümbild

Lichtgestaltung

Sergio Rossi

Claire Debono

Das Schicksal

Katherine Watson

Die Tugend

Hanna Bayodi-Hirt

Die Liebe

Antonio Abete

Seneca

Suzana Ograjenšek

Der Page

Pallas Athene

Venus

Hoffräulein

Andreas Wolf

Liberto

Juan Sancho

Zwei Soldaten

David Webb

Liktor

Senecas Angehörige

Tribuno

Consoli

Choreographie

Roberto Maria Pizzuto

Teatro Real de Madrid

Others

Les Arts Florissants

L'incoronazione di Poppea -  (Die Krönung der Poppea)

Madrid

Spanien

Teatro Real

Virtue, Fortune and Love compete for superiority over mankind in the prologue to the most erotic opera of the 17th century, L’incoronazione di Poppea. Composed by Claudio Monteverdi at the age of 75, it was first performed in 1642 at the Teatro dei Santi Giovanni e Paolo, in Venice.

This dialectical confrontation between Virtue and Fortune gives rise to overpowering passions, embodied by characters such as Nerone (unrestrained desire), Poppea (the lust for power) and Ottavia (the drive for vengeance) and opposed by the Stoic morality of the philosopher Seneca and the sincere love of Ottone. 35 years after his experimental Orfeo, Monteverdi’s L’incoronazione di Poppea presents the innovations of mid-17th century Venetian opera: the absence of dances and choruses, a smaller orchestra, and the exaltation of vocal melody. A vocal continuum, ranging from recitative to ariosi, strophic arias and ensembles, made use of all the then current resources of vocal language; human emotions are expressed in sound with an unknown level of characterisation and psychological refinement up to that time.

This was the first opera about historical figures, real people, rather than portraying characters who embody emotional states. L’incoronazione di Poppea attempts to perceive and hear how these emotions appear and evolve, how they seduce and move us, how they invite us to enter the unstable and decentralised space of the Baroque world: the always subtle shift from recitative to arioso and cantabile, from cool intellect to hot blood, from reason to ecstasy, shapes a musical drama of human relationships, where the map is the geometry of the soul in movement.

L'incoronazione di Poppea by C.Monteverdi, from Teatro Real, 2010. Directed by Pier Luigi Pizzi, conductor William Christie, starring Danielle de Niese, Philippe Jaroussky, Katherine Watson, Robert Burt, Ana Quintans, Antonio Abete, Max Emanuel Cencic, Anna Bonitatibus, Claire Debono, Damigella, José Lemos, Hanna Bayodi-Hirt and Suzana Ograjenšek. Performed in Italian and subtitled in English, German, Spanish, French and Italian.

L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid.

L'incoronazione di Poppea Monteverdi

Die Krönung der Poppea

Genehmigt

Fotos