Name: L'italiana in Algeri
Start: 2018-08-08T00:00:00.000Z
End: 2018-08-19T00:00:00.000Z
Location: Haus für Mozart

Admin

Organization

Singer

Mezzo-soprano

Cecilia Bartoli

Isabella

Bass

Ildar Abdrazakov

Mustafa

Tenor

Edgardo Rocha

Lindoro

Baritone

Alessandro Corbelli

Taddeo

José Coca Loza

Haly

Soprano

Rebeca Olvera

Elvira

Rosa Bove

Zulma

Conductor

Jean-Christophe Spinosi

Stage director

Moshe Leiser

Patrice Caurier

Set designer

Christian Fenouillat

Costume designer

Agostino Cavalca

Lighting designer

Christophe Forey

Dramaturge

Christian Arseni

Salzburger Festspiele

Others

Ensemble Matheus

Philharmonia Chorus

Iodáilis

L'italiana in Algeri -  (The Italian Girl in Algiers)

Salzburg

Austria

Haus für Mozart

"The role of Isabella is sung to perfection by Cecilia Bartoli - a bright, independent woman with an adventurous attitude" (The New York Times). Bartoli's magnificent performance in Gioachino Rossini's L'Italiana in Algeri at the Salzburg Festival, directed by BAFTA-winning director duo Moshe Leiser and Patrice Caurier, is a highlight of the Rossini celebrations marking the 150th anniversary of the composer's death. Unitel has captured the Italian opera star's excellent performance in a rare audiovisual recording.

In this lively comedy, every look and every hand gesture brings Isabella to life: Bartoli presents the spirited Italian with fire, finesse and extraordinary acting skills - "a Rossini masterclass" (Bachtrack). Her Isabella is a strong, independent woman who has no intention of accepting the advances of the powerful Mustafà. In the Leiser/Caurier staging, which plays with prejudiced notions about opposing cultures, Mustafà is no longer an Ottoman bey, but a kind of local gangster smuggling electronics in the port of modern-day Algeria. In Christian Fenouillat's colorful sets, Ildar Abdrazakov sings the lascivious macho and looks for joy and "great comic talent" (Salzburger Nachrichten) after a love affair with the beautiful Italian. Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally regains her husband's favours, with ease and beauty, while José Coca Lozas Haly impresses with his short aria in which he praises Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally regains her husband's favours, with ease and beauty, while José Coca Lozas Haly impresses with his short aria in which he praises Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally regains her husband's favours, with ease and beauty, while José Coca Lozas Haly impresses with his short aria in which he praises Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). while José Coca Lozas impresses Haly in his short aria praising Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). while José Coca Lozas impresses Haly in his short aria praising Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times).

L'italiana in Algeri Rossini

Public

The Italian Girl in Algiers

Gearmáinis

Béarla

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

[DEUTSCH]Die Neuinszenierung von „L’incoronazione di Poppea“ in der Regie von Jan Lauwers und unter musikalischer Leitung von William Christie ist ein sinnli...

The Italian Girl in Algiers by Rossini, Mái 14 Lúna 2018, Ó (2018/2018), Faoi stiúir Moshe Leiser, Patrice Caurier,, Seoltóir Jean-Christophe Spinosi, Haus für Mozart, Salzburg, Austria

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid