Name: Lohengrin
Start: 2022-05-08T00:00:00.000Z
End: 2022-07-16T00:00:00.000Z
Location: Staatstheater

Organization

Singer

Soprano

Dorothea Herbert

Elsa of Brabant

Bass

Johannes Seokhoon Moon

Henry the Fowler

Tenor

Peter Sonn

Lohengrin

Megan Marie Hart

Baritone

Johannes Schwärsky

Fredrick of Telramund

Katrin Gerstenberger

Ortrud

Georg Festl

The king's herald

Julian Orlishausen

Jarosław Kwaśniewski

Second nobleman of Brabant

Matthias Zerwas

Third nobleman of Brabant

Myong-Yong Eom

Fourth nobleman of Brabant

Stage director

Andrea Moses

Conductor

Daniel Cohen

Costume designer

Christian Wiehle

Set designer

Video designer

Johannes Kulz

Dramaturge

Thomas Wieck

Kirsten Uttendorf

Choir rehearsal

Ines Kaun

Staatstheater Darmstadt

Others

Extra-Chor des Staatstheaters Darmstadt

Chor des Staatstheaters Darmstadt

Orchestra

Staatsorchester Darmstadt

Darmstadt

Germany

Staatstheater

Großes Haus

Lohengrin Wagner,Richard

Public

Approved

Elsa von Brabant (Megan Marie Hart) in the wedding secene in Wagner’s Lohengrin. Costumes & Sets: Christian Wiehle.

Siegfried's Funeral March: Staatsorchester Darmstadt / Daniel Cohen

Richard Wagner: Siegfried's funeral march from: Götterdämmerung Staatsorchester Darmstadt Daniel Cohen, direction Lohengrin:https://www.staatstheater-darmstadt.d...

Cameras: Marcel Klar, Martin Kadel and team Video editing: Judith Kissel Sound engineer: Christoph Kirschfink Sound engineer, editing and mixing: Sebastian Franke

The heroes of mythology must undoubtedly obey fate. The higher powers speak from them. What is an individual there anyway? In a naive reading, the world in Wagner's “Lohengrin” seems to be well sorted. The Führer principle including war and violence (King Heinrich and Lohengrin) is not called into question. But the core of Wagner's Lohengrin drama is above all the prohibition of the all-important question. The hero Lohengrin, who comes from higher spheres, saves Elsa from the indictment, but ties this to his exclusive condition: Elsa is not allowed to ask who he is. Aren't Ortrud and Telramund, whom Wagner shows as a demonic intriguing couple, right when they advise Elsa to ask this central question about his origins? Isn't Elsa's question also open criticism of an unreflective leader myth,

English

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