Name: Lucia di Lammermoor
Start: 2021-10-03T00:00:00.000Z
End: 2022-07-21T00:00:00.000Z
Location: Stanislavsky and Nemirovich-Danchenko Music Theater

Organization

Libretto

Salvatore Cammarano

Singer

Soprano

Evgenia Afanasieva

Lucy

Daria Terekhova

Baritone

Dmitry Zuev

Lord Henry Ashton

Andrej Baturkin

Tenor

Chingis Ayusheev

Sir Edgar of Ravenswood

Kirill Zolochevsky

Lord Arthur Bucklaw

Aleksandr Nesterenko

Mezzo-soprano

Veronika Viatkina

Alice

Ella Feiginova

Anastasia Khoroshilova

Bass

Roman Ulybin

Raymond Bidebent

Dmitry Ulyanov

Evgeny Liberman

Norman

Valery Mikitsky

Stage director

Adolf Shapiro

Conductor

Felix Korobov

Wolf Gorelik

Lighting designer

Gleb Filshtinsky

Costume designer

Elena Stepanova

Set designer

Andris Freibergs

Video designer

Katrīna Neiburga

Choreographer

Mikhail Kislyarov

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

italiensk

Lucia di Lammermoor -  (Lucia of Lammermoor)

Moscow

Russia

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Lucia di Lammermoor Donizetti

Public

Lucia of Lammermoor

Approved

Опера Гаэтано ДоницеттиМузыкальный руководитель и дирижер: Вольф ГореликДирижер: Феликс КоробовРежиссер-постановщик: Адольф ШапироСценограф: Андрис Фрейбергс...

Лючия ди Ламмермур/Lucia Di Lammermoor

The premiere of Lucia di Lammermoor took place in 1835 in San Carlo, Neapolitan. In addition to his interest in Walter Scott's novel The Lammermoor Bride - by then more than once adapted to opera - the composer Donizetti had a personal interest in the plot: one of his ancestors, Donald Isett, was a Scotsman.

Despite the dizzying difficulties for the performers, and perhaps precisely because of them, this work by Donizetti is one of the most repertoire in the world. The first Lucia was the beautiful Fanny Takkinardi-Persiani. In the 19th and 20th centuries, all the legendary opera divas shone in this role: Adeline Patti, Lily Pons, Joan Sutherland, Maria Callas, Beverly Sills, Renata Scotto, Edita Gruberova. The heights of the transcendental coloratura of the heroine Donizetti are also storming the prima donnas of the 21st century. The tenors also strive to share their fame, for which the composer has reserved extremely high notes for the end of the opera

Lucia di Lammermoor has everything that is expected of an opera classics: wonderful, instantly memorable melodies, passionate love and equally passionate hatred against the backdrop of an old Scottish castle, a luxurious operatic prima donna and a tenor in love with her.

English

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Mannskap