Name: Lucio Silla
Start: 2017-10-29T00:00:00.000Z
End: 2017-11-15T00:00:00.000Z
Location: La Monnaie

Admin

Organization

Tenor

Jeremy Ovenden

Lucio Silla

Soprano

Lenneke Ruiten

Giunia

Anna Bonitatibus

Cecilio

Simona Šaturová

Lucio Cinna

Ilse Eerens

Celia

Carlo Allemano

Aufidio

Conductor

Antonello Manacorda

Stage director

Tobias Kratzer

Set designer

Rainer Sellmaier

Costume designer

Video designer

Manuel Braun

Lighting designer

Reinhard Traub

Chorus master

Martino Faggiani

Dramaturge

Krystian Lada

La Monnaie/De Munt

Badisches Staatstheater Karlsruhe

Others

La Monnaie Chorus

Orchestra

La Monnaie Symphony Orchestra

Taljan

Lucio Silla -  (Lucius Sulla)

Brussels

Belgium

La Monnaie

Grande Salle

Lucio Silla Mozart

Private

Public

Lucius Sulla

Franċiż

Olandiż

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

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hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

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Viola da gamba

Musette de cour Player

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Cornettist

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Theorbist

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Choir

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Illustrator

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Singer

Contralto

Bass-baritone

Countertenor

Baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

"Unfortunately, in our time, this type of character (a head of state who is more narcissistic than democratically elected) is again relevant" - Tobias Kratzer about Lucio Silla.

LUCIO SILLA - Interview with Tobias scratches

‘I now realise that innocence and a good heart are far more precious to the soul than false glory.’ ‘La Clemenza di Silla’? In Mozart’s seventh opera, which he composed in 1772 at the age of sixteen, a complete about-turn to clemency made the Roman ruler Lucius Sulla into a forerunner of Emperor Titus, whose praises Mozart sang in his final opera seria. Despite its strong ties with tradition, Lucio Silla is the masterpiece of a young genius, full of originality and profoundly felt music. By playing with the codes of opera seria, the German director Tobias Kratzer and the conductor Antonello Manacorda underscore the universal dimension of the personal relationships in the story. Ancient Rome is replaced by a contemporary, dark setting, in which illusion and reality merge. But Silla’s message remains timeless: ‘What triumph can rival the victory over one’s own heart?’

English

Lucius Sulla by Mozart, Ħad 12 Nov 2017, Minn (2017/2017), Immexxi minn Tobias Kratzer,, Surmast Direttur Antonello Manacorda, La Monnaie, Brussels, Belgium

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