Name: Macbeth
Start: 2018-04-14T00:00:00.000Z
End: 2019-02-23T00:00:00.000Z
Location: HNK Zajc

Admin

Organization

Sångare

Baritone

Giorgio Surian

Macbeth

Robert Kolar

Soprano

Kristina Kolar

Lady Macbeth

Bass

Slavko Sekulić

Banco

Tenor

Marko Fortunato

Macduff

Dirigent

Marco Boemi

Regissör

Marin Blažević

Yordan Kamdzhalov

Koreograf

Selma Banich

Ljus designer

Dalibor Fugošić

Kostym designer

Sandra Dekanić

Video designer

Marin Lukanović

Körledare

Nicoletta Olivieri

Assistant Conductor

Igor Vlajnić

Assistant Director

Gilda Maria Castellano

Dario Bercich

Mezzo-soprano

Vanja Zelčić

Dama di Lady Macbeth

Davor Lešić

Malcolm

Medico

Saša Matovina

Un domestico di Macbeth

Sicario

Morana Pleše

Apparitions

Nataliya Marycheva

Croatian National Theatre “Ivan PL. Zajc” Rijeka

Rijeka

Kroatien

HNK Zajc

Macbeth Verdi

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Kör

Librettist

Ljud designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Libreto: Francesco Maria Piave prema tragediji Williama ShakespeareaDirigent: Marco BoemiDramaturg-redatelj: Marin BlaževićUloge:MACBETH: Giorgio SurianLADY ...

Kristina Kolar in the role of the strong and evil Lady Macbeth showed her mastery in both acting and singing, rising with infinite ease into crystal clear heights, with her agile voice and deeply moving production in the madness scene.
This staging presented the strength of the Rijeka Opera, its chorus and soloists, not afraid to embark on the challenging dramatic play interwoven with Verdi’s music of recognisable melodic force and polyphonic expression.
Gloria Fabijanić Jelović, HRT Radio Rijeka

Duets with Kristina Kolar were a filigree-like polished vortex of brilliant interpretative threads and vivid emotions. G. Surian’s great acting skills portrayed Macbeth’s soul as if on a painting canvas, while deserving special mention is the face mime in the fourth act in combination with the excellent video by Marin Lukanović.
Luka Nalis, fiuman.hr

In aggressive postures and with blood that profusely trickles from their hands and faces, in military like severe costumes, the characters of Lady Macbeth and Macbeth almost seem to be attacking us from the stage, getting into our faces and singing directly forward to the audience, in the excellent acting and singing performance of Kristina Kolar and Giorgio Surian, achieving all the strength and intensity of evil that Verdi had intended. (…)
Impressive from the very beginning, the character of Macbeth in the performance of Giorgio Surian grew in its darkness and madness toward the end of the opera, with exceptional conviction given by the interpreter, primarily by his extraordinary acting that seemed to have given wings to his voice; powerfully and relentlessly carrying it through the role, evoking faithfully both madness and weakness that mix with the diabolic nature, from the first act and murder of Duncan or the scene of ball in the second act, up to the duet with Lady Macbeth and arias in the last act, almost moving Pietà, rispetto, amore  and the powerful farewell from the first version of the opera, Mal per me che m’affidai, which ends the opera. Giorgio Surian has achieved that level of interpreting opera roles when we no longer hear tones, but meanings, thoughts and states of the mind of his character.
Zrinka Matić, Klasika.hr

English

Macbeth by Verdi, tor 21 feb 2019, Från (2018/2019), Regisserad av Marin Blažević,, Dirigent Marco Boemi, Yordan Kamdzhalov, HNK Zajc, Rijeka, Kroatien

Föreställningskrediter (Medverkande & produktionsteam )

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Program, Om & Synopsis

Videoklipp

Foton

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Föreställningsdatum och lokaler

Spelplatser