Organization

Sänger

Bariton

Pavol Kubán

Sharpless

Tenor

Csaba Kotlár

Fürst Yamadori

Bass

Michael Skalický

Onkel Yakusidé

Sopran

Petra Břicháčová

Die Cousine

Libor Novák

Der Standesbeamte

Stumme Rolle

Jan Adam

Dolore

Videogestaltung

Larva Bartoš

Lucie Svačinková

Die Tante

Peter Berger

B. F. Pinkerton

Mezzosopran

Lenka Pavlovič

Kate Pinkerton

Václav Sibera

Goro

Roman Vocel

Der kaiserliche Kommissar

Tomáš Foltýnek

Soňa Koczianová

Mutter Cio Cio Sans

Marketa Panska

Gabriela Pešinová

Eliška Sedláčková

Eliška Mourečková

Tereza Růžičková

Regie

Jiří Heřman

Bühnenbild

Jan Lukášek

Kostümbild

Alexandra Grusková

Lichtgestaltung

Daniel Tesař

Chordirektion

Adolf Melichar

Dramaturgie

Ondřej Hučín

Patricie Částková

Csilla Boross

Cio-Cio-San

Jana Sýkorová

Suzuki

Zdeněk Plech

Onkel Bonzo

Svetlana Aksenova

Jiří Rajniš

Lunchmeat

Choreographie

Lucie Hayashi

Dirigat

Jiří Štrunc

Olga Busuioc

Michaela Zajmi

Valentyn Dytiuk

Svatopluk Sem

Igor Loškár

Erika Vocelová Jarkovská

Oleg Korotkov

Markéta Frýdová

Andriy Yurkevych

Others

State Opera Chorus

Orchestra

State Opera Orchestra

Ballet

State Opera Ballet

National Theatre Prague

Italienisch

Madama Butterfly -  (Madame Butterfly)

Prag

Tschechien

Státní Opera Praha (The State Opera)

Madama Butterfly

Public

Madame Butterfly

Saurav Kumar

State Opera

Tschechisch

Englisch

Genehmigt

„Butterfly“ je bezesporu jednou z divácky nejúspěšnějších a zároveň umělecky nejcennějších oper všech dob. Z Pucciniho děl má přitom snad tu nejjednodušší, v...

Madama Butterfly Puccini

The opera is named after the renowned short story Madame Butterfly by the American lawyer and author John Luther Long, which served as the basis for a drama by the New York impresario and playwright David Belasco, which in turn directly inspired Puccini to compose his celebrated opera.

In Madama Butterfly, Puccini eschewed intricate action and boisterous dramatic events, opting instead for an intimate story and highlighting the psychology of the characters, fleshing out by his music the tiniest details, oscillations and extreme emotional surges. The contrast between the Japanese and “Western” mentality is also aptly rendered by means of many a time surprisingly modified quotations of the US national anthem, as well as a forcible depiction of the local colour of Japan. This facet is captured in Jiří Heřman’s production, which authentically represents the Japanese culture and its traditional customs. The stage director tells the well-known story in a non-traditional way – through the eyes of Cio-Cio San’s grown-up son, who traces his past in Nagasaki.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble