Organization

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

Singer

Soprano

Marija Bubic

Mala Floramye

Antonella Malis

Božena Svalina

Tenor

Špiro Boban

Mirko

Sveto Matošić Komnenović

Vinko Maroević

Nikša Radovanović

Ivan Jakus

Marinko

Zdeslav Petrašić

Šjor Dane

Tonči Banov

Šjor Bepo

Franjo Pavić

Redarstveni Organ

Suzette

Conductor

Ivo Lipanović

Hari Zlodre

Stage director

Ivan Leo Lemo

Choreographer

Valery Miklin

Costume designer

Ruta Knežević

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Ballet

HNK Split Ballet

Mala Floramye -  (Little Floramye)

Split

Croatia

Mala Floramye Tijardović

Public

Little Floramye

Approved

MALA FLORAMYE

   Napisao sam ovo ime kao naslov i stao buljiti u njega. Buljim i ne znam dalje. Ja nikad nisam pisao tekst za programsku knjižicu jedne kazališne predstave. ja nikad nisam bio u poziciji dramaturga. Glumac sam, i jedino što je do sada pisalo u sličnim knjižicama jest moje ime uz ime uloge koju igram. I sad ne znam, ne znam i ne znam. A muči me to. Kakav sam ja to dramaturg kad ništa ne mogu napisati nakon dva mjeseca rada na predstavi. Iskreno, možda je više od neznanja prisutan strah. jer što bih to ja mogao napisati suvislo o predstavi koja se zove Mala Floramye. I to usred Splita!
   Malo koja predstava u Splitu ima takvu poziciju kao Mala Floramye, i raditi na njoj znači u startu biti poražen. Potučen. Do nogu! Zašto? Zato jer svi sve znaju. A jedino što ja znam, jest zvuk onih rečenica koje samo Splićani mogu intonirati

hrvatski

LITTLE FLORAMYE

   I wrote this name as a title and stared at it. I stare and don't know what to do. I have never written a text for the program booklet of a theater play. I was never in the position of a playwright. I am an actor, and the only thing written in similar booklets so far is my name along with the name of the role I play. And now I don't know, I don't know and I don't know. And that bothers me. What kind of playwright am I when I can't write anything after two months of working on the play. Honestly, maybe there is more fear than ignorance. because what could I write about a play called Mala Floramye. And in the middle of Split!
   Few plays in Split have such a position as Mala Floramye, and working on it means being defeated at the start. Beaten up. To the feet! Why? Because everyone knows everything. And the only thing I know is the sound of those sentences that only the people of Split can intonate

English

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Lomās

Radoša komanda

Ansamblis