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Organization

Stage director

Jürgen Flimm

Set designer

George Tsypin

Costume designer

Ursula Kudrna

Lighting designer

Alexander Kibitkin

Sebastian Alphons

Chorus master

Vladimir Stolpovskikh

Singer

Soprano

Veronika Jioeva

Manon Lescaut

Tenor

Fyodor Ataskevich

The knight René Des Grieux

Baritone

Boris Pinkhasovich

Lescaut

Bass

Nikolay Kopylov

Geronte de Revoir

Boris Stepanov

Edmond

Victoria Voytenkova

Quattro musici

Anastasia Barun

Svetlana Monchak

Anna Buslidze

Ekaterina Egorova

Conductor

Alevtina Ioffe

Anna Nechaeva

Alexander Soloviev

Maria Litke

Yury Monchak

Responsible accompanist

Natalia Dudik

Assistant Conductors

Igor Tomashevsky

Valentin Bogdanov

Assistant Director

Yulia Prokhorova

Subtitles

Margarita Kunitsyna-Tankevich

Mikhailovsky Theatre

itāļu

Saint Petersburg

Russia

Mikhailovsky Theater

Manon Lescaut Puccini

Public

krievu

Approved

опера в 3-х действияхмузыка Джакомо Пуччинипостановка Юргена Флимма opera in three actsmusic by Giacomo Pucciniproduction by Jürgen Flimm

The opera Manon Lescaut is one of the best works of Giacomo Puccini.

Staged in 1893 in Turin, it became the composer's first and undoubted triumph. The libretto is based on a plot from Antoine Francois Prevost's book The Story of the Chevalier de Grieux and Manon Lescaut, one of the first examples of a psychological novel in the history of literature, which was very popular in Europe.

The creators of the performance at the Mikhailovsky Theater, stage director Jurgen Flimm and stage designer Georgy Tsypin, kept the scene - Paris, but changed the time and moved the events to the first third of the twentieth century. In their stage version, the heroine is an aspiring film actress, her lover is also an actor, and her wealthy patron is a Hollywood producer.

The scenography of the performance is close to the film noir style with characteristic light contrasts and dramatic shadows. Stage costumes directly refer to the cinema of the 1930s and 1940s. The emotional content remains unchanged, which the director defines with a brief formula: “A woman between two men and, as a result, a catastrophe.”

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