Name: Manon Lescaut
Start: 2017-08-09T00:00:00.000Z
End: 2017-10-27T00:00:00.000Z
Location: Summer Theatre

Organization

Soprano

Radostina Nikolaeva

Manon Lescaut

Dimitrinka Raycheva

Tenor

Efe Kislali

The knight René Des Grieux

Martin Iliev

Baritone

Plamen Dimitrov

Lescaut

Bass

Eugeniy Stanimirov

Geronte de Revoir

Hristo Ganevski

Edmond

Conductor

Jan van Maanen

Stage director

Aleksandar Tekeliev

Artist

Valentin Topencharov

Plastic

Grisha Roglev

Chorus master

Tsvetan Krumov

State Opera Varna

Others

Choir of the Varna State Opera

Orchestra

Orchestra of the Varna State Opera

the Varna Children's and Youth Opera

Taljan

Varna

Bulgaria

Opera Theatre

Summer Theatre

Manon Lescaut Puccini

Public

Ingliż

Bulgaru

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Contralto

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Manon Lescaut is Puccini's first opera to be a great success, much greater than the previous Bohemia. The composer encounters some difficulties in writing it, as he has to work with several librettists at the same time. Interestingly, he uses parts of his previous works such as Messa di Gloria or works such as Chrysanthemums, Scherzo for orchestra and several minuets that are easily recognizable in the score of Manon Lescaut. It was very important for Puccini to find another musical sound different from that of the great Verdi, who was still alive at the time.

The images in the opera are very human. Manon, who cannot choose between love and luxury and this predetermines her destiny; De Grijo, who is so in love with Manon that he sacrifices himself for her and Lesko, the brother who is quite strange and tries to do what he has to do, but only when it is good for him. Puccini fills "Manon Lescaut" with strong emotions - passion, joy, sorrow, and in some places with boring, boring music to show us Manon's boredom of luxury living.

I am pleased when the soloists and the orchestra are able to express to the audience all these characteristics that I mentioned a moment ago, using the notes and words that Puccini left us. As a conductor, I do not experience myself as a dictator who dictates what needs to be done. I'm just one of the musicians trying to guide a group of musician friends to bring real life together to Puccini's music.

English

Manon Lescaut by Puccini, Ġim 27 Ott 2017, Minn (2017/2017), Immexxi minn Aleksandar Tekeliev,, Surmast Direttur Jan van Maanen, Summer Theatre, Varna, Bulgaria

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