Name: Maria Callas in Concert
Start: 1962-03-16T00:00:00.000Z
End: 1962-03-16T00:00:00.000Z
Location: Laeiszhalle

Organization

Director(a) orquestal

Georges Prêtre

Cantante

Maria Callas

Soloist

Orchestra

NDR Sinfonieorchester

Symphoniker Hamburg

Maria Callas in Concert

Hamburgo

Alemania

Laeiszhalle

Public

Opera Gala

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Bajobarítono

Bajo

Mezzosoprano

Barítono

Contratenor

Tenor

Soprano

Contralto

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.

Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962

Maria Callas in Concert by Various, vie. 16 mar 1962, De (1962/1962), Director Georges Prêtre, Laeiszhalle, Hamburgo, Alemania

Créditos de presentación (Elenco & Equipo )

Elenco

Ensamble

Programa, Acerca de & Sinopsis

Vídeos

Más información

Fechas y lugares de actuación

Lugares