Organization

Singer

Mezzo-soprano

Iwona Sakowicz

Marie

Salina Aleksandrova

Luise

Tenor

Richard Klein

Albin Fux

Dr Chop

Johannes Schwendinger

Alexander Falk

Dr Dimezza

Johann Leutgeb

Prof Koloman Hirsch

Dr Neher

Günther Strahlegger

Dr Otto Bock

Dr Morcellier

Gerhard Hafner

Friseur

Reporter der Tagesparole

Soprano

Lisa Rombach

Reporterin des Täglich Heute

Operationsschwester Dolores

Klaus Rohrmoser

Der Wissenschaftler

Conductor

Gernot Schedlberger

Stage director

Kristine Tornquist

Costume designer

Markus Kuscher

Lighting designer

Edgar Aichinger

Set designer

Andrea Költringer

Repetiteur

Benjamin McQuade

Kaori Nishii

Dramaturge

Jury Everhartz

Video designer

Wolfgang Reithofer

Dramaturgie

sirene Operntheater

Orchestra

vācu

MarieLuise

Vienna

Austria

Werk X

https://www.sirene.at/archiv/2012-201... | https://de.wikipedia.org/wiki/MarieLuise
Switch on subtitles! MARIELUISE text. Kristine Tornquisthttps://www.sirene.at/site/assets/fil...
Music. Gernot Schedlbergerhttps://www.sirene.at/site/assets/fil...
Chamber opera in 17 pictures. World premiere on December 31, 2012 at Palais Kabelwerk Vienna

0:00:00 00. Prolog
0:03:51 01. Overture
0:06:33 02. Marie and Luise
0:10:53 03. The individual people
0:17:50 04. The yellow party
0:25:50 05. hairdresser and press
0:37:0005b. Interlude. A year goes by
0:39:12 06. career
0:44:12 07th vote
0:48:56 08. Opposition
0:54:13 09. The violet party
1:00:15 10. Alexander
1:05:29 11. Intrigue
1:13:47 12. Election campaign
1:16:27 13. Marie or Luise
1:20:35 14. The doctors
1:27:45 15. Operation
1:32:42 16. Awakening
1:41:09 17. Epilogue
1:41:5617b. Aftermath
1:45:44Applause MarieLuise are Siamese twins, they share two legs and two and a half arms, but otherwise each of them is a separate personality. As specialists in what they feel they have in common, they begin to get involved politically. But in politics they find competition instead of cooperation and are confronted with the mechanisms of power - from voting to intrigue. When Luise allows her to be played off against Marie, Marie goes into opposition, which does not end even after the excursion into politics has long since ended. The peaceful coexistence has become impossible, the separation of MarieLuise into Marie and Luise is on the plan ... Marie. Iwona Sakowicz Luise. Salina Aleksandrova Albin Fux / Dr. Chop. Richard Klein Alexander Falk / Dr. Dimezza. Johannes Schwendinger Prof. Koloman Hirsch / Dr. Closer. Johann Leutgeb Dr. Otto Bock / Dr. Morcellier. Günther Strahlegger hairdresser / reporter for the daily slogan. Gerhard Hafner reporter for Daily Today / Operation Nurse Dolores. Lisa Rombach Dr. Z. Klaus Rohrmoser The Red Orchestra. Flute. Claudia Schiske clarinet 1st Thomas Schön clarinet 2nd Sabine Zwick trumpet. Hermann Mitterer Horn. Hermann Ebner / Ferenc Varga accordion. Bojana Foinidis piano / celesta. Benjamin McQuade percussion. Berndt Thurner viola 1. Ines Nowak-Dannoritzer viola 2. Martina Reiter cello. François-Pierre Descamps double bass. Antal Rácz musical director. Gernot Schedlberger director. Kristine Tornquist on stage. Andrea Költringer costume. Markus Kuscher mask. Uschi Braun. Antonia Jurkovic. Rebecca Trink light / technology. Edgar Aichinger production. Jury Everhartz honor protection. Dedication to Alexander van der Bellen. For the jury A twin symbiosis of text and music, direction and production is the siren opera theater that Kristine Tornquist and Jury Everhartz have been running together for twelve years. He is a composer and conductor, she is a librettist, visual artist and director. In the current production, too, Tornquist is responsible for both the script and the direction. For the second time - after the opera Der Heinrich aus der Hölle - she has now cooperated with Gernot Schedlberger, among other things the composer of a number of operas, ballets, and theatrical music, who says about himself: New things are alien to me. This also has to do with my practical relevance as a répétiteur and conductor. According to Tornquist, the chamber opera MarieLuise, which Schedlberger will conduct himself, is a nasty experimental set-up: It's about two Siamese twins who are full of ideals and want to implement them by going into politics. And they fail gloriously. In addition to the pair of twins, who are being crushed by internal party and personal struggles, there is a spin doctor and other doctors who ultimately surgically separate the pair of twins, or reporters from cheap newspapers called, for example, Daily Today. Schedlberger was immediately interested in the material and in the resulting libretto. It is not only about the political problems of the Siamese twins, but also about their personal relationship, the problem when certain mechanisms in the press become independent, and medical ethics. How far can a doctor go? So there are quite a few questions and storylines that are interwoven. Musically, the composer reacted to the two twins with the same line-up with two mezzo-sopranos, who find equivalents from twelve instruments in the chamber orchestra. Two bass clarinets form a pair situation, in the musical structure there are often two groups of instruments or two rhythms that work against each other. So the sarcastic operation can begin. Der Standard, December 29, 2012, Daniel Ender So the sarcastic operation can begin. Der Standard, December 29, 2012, Daniel Ender So the sarcastic operation can begin. Der Standard, December 29, 2012, Daniel Ender

MarieLuise: MarieLuise Schedlberger

Public

Approved

MARIELUISE. Kammeroper | sirene Operntheater Wienhttps://www.sirene.at/archiv/2012-2013-marieluise/ | https://de.wikipedia.org/wiki/MarieLuiseUntertitel eins...

Kurze Ausschnitte aus der Kammeroper von Gernot Schedlberger und Kristine Tornquist

MarieLuise sind siamesische Zwillinge, sie teilen sich zwei Beine und zweieinhalb Arme, aber sonst ist jede von ihnen eine eigenständige Persönlichkeit. Als Spezialistinnen für das Gemeinsame, als die sie sich fühlen, beginnen sie, sich politisch zu engagieren. Doch in der Politik finden sie statt Kooperation vor allem Konkurrenz und werden mit den Mechanismen der Macht konfrontiert - von der Kampfabstimmung bis zur Intrige. Als Luise zulässt, dass sie gegen Marie ausgespielt wird, geht Marie in Opposition, die auch dann nicht endet, als der Ausflug in die Politik längst wieder zuende ist. Die friedliche Koexistenz ist unmöglich geworden, die Trennung von MarieLuise in Marie und Luise steht auf dem Plan.

Eine sirene-Produktion in Kooperation mit der ÖGZM (2012 & 2013) und dem mica

Dr. Z: Sie teilen Eins in zwei Teile. Sie subtrahieren eine Hälfte. Eins minus einhalb ist einhalb. Wohin verschwindet die Hälfte, die von der Eins subtrahiert wurde? Sie werden sagen, auf die andere Seite der Gleichung. Gut. Aber nun frage ich Sie, wohin ist die Eins verschwunden, von der eine Hälfte abgezogen wurde? Kristine Tornquist im Libretto

Deutsch

A siren production in cooperation with the ÖGZM ( 2012 & 2013 ) and the mica

dr Z: You divide one into two parts. You subtract half. One minus half is half. Where does the half subtracted from one go? They will tell you the other side of the equation. Good. But now I ask you, where did the one go from which one half was subtracted? Kristine Tornquist in Libretto

English

MarieLuise by Schedlberger, No (2012/2013), Režisēja Kristine Tornquist,, Diriģents Gernot Schedlberger, Werk X, Vienna, Austria

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