Name: Martin Haselböck And The Orchester Wiener Akademie
Start: 2024-10-22T00:00:00.000Z
End: 2024-10-22T00:00:00.000Z
Location: Pesti Vigadó

Admin

Liszt Fest International Cultural Festival

Pesti Vigadó

Conductor

Martin Haselböck

Orchestra

Orchester Wiener Akademie

Instrumentalist

Fülöp Ránki

Piano

Pianist

Martin Haselböck And The Orchester Wiener Akademie

Budapest

Hungary

Ceremony Hall

Public

Concert

Tasso: lamento e trionfo

Concerto for Piano and Orchestra No. 2 in A major, S.125

Malediction, S. 121

Die Ideale S.106

Teja Boyidi

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Bass-baritone

Countertenor

Baritone

Tenor

Mezzo-soprano

Contralto

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Martin Haselböck And The Orchester Wiener Akademie: Tasso: Lamento e Trionfo, S.96 Liszt (+3 More)

The contradictory social situation of the artist, the elusiveness of success, the workings of creative inspiration or the responsibility of the genius are general artistic and aesthetic problems that essentially defined Ferenc Liszt’s thinking. Lament and Triumph, which ponders the tragic fate of the Baroque poet Tasso, and The Ideals, his resigned reflection on his own artistic situation, are symphonic poems that reveal Liszt’s creative dilemmas with the sharpness of an X-ray machine.
The conductor of the concert, which explores the typically Lisztian links between poetry and music, will be Martin Haselböck, who is one of the most devoted enthusiasts of Liszt’s music both as a conductor and organist. He has done an invaluable service for the reconstruction of the symphonic sound of the 19th century, and The Sound of Weimar, a series of recordings, has cast a radically new light on Liszt’s symphonic poems. The Orchester Wiener Akademie, which he founded, strives to create an authentic sound not only through the instruments it uses, but also through its choice of venues, which in acoustic and historical terms are as close as possible to the environments in which the works were first performed. The soloist of the evening is a luminary of the young generation of pianists, Fülöp Ránki.

English

Martin Haselböck And The Orchester Wiener Akademie by Liszt, No (2024/2024), Diriģents Martin Haselböck, Pesti Vigadó, Budapest, Hungary

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