Organization

Osterfestspiele Salzburg

Conductor

Herbert von Karajan

Singer

Soprano

Anna Tomowa-Sintow

Bass

José van Dam

Orchestra

Berliner Philharmoniker

Others

Wiener Singverein

Missa solemnis in D major, op. 123

In April 1819, Beethoven's pupil, friend and patron Archduke Rudolph was elected cardinal; two months later he received the archbishopric of Olomouc. Since a mass setting would certainly be needed for Rudolph's inauguration, Beethoven decided to compose the Missa solemnis. "God will enlighten me," he wrote to Rudolph, "that my feeble powers may contribute to the glorification of this solemn day..."

With the Missa solemnis, Beethoven wanted to get one step closer to becoming a court musician; he had been hoping for such a post for some years. In 1815 Beethoven wrote in his diary how he imagined the position of court musician: "If possible bring the ear machines to maturity, than then read - you owe this to yourself, to the people and to him the Almighty, only then can you develop again, everything that has to remain closed in you - and a small courtyard - a small chapel written by me in which she led the song, to the honor of the Almighty - the eternal infinite..."

Apart from these thoughts of artistic development in honor of God, it was also the traditional Latin text of the mass and the solemn liturgical ceremony that prompted Beethoven to concentrate all his energies on this sacred work. An opera or an oratorio would have tied him to a libretto with which he would never have been entirely satisfied. This had already been shown in the lengthy history of the genesis of his opera "Leonore" and "Fidelio". The succinct Latin text of the Mass gave him all he needed to compose a work of tremendous impact and magnitude.

While Beethoven was working on the Missa solemnis, his health deteriorated rapidly. On the day of the Archduke's inauguration, not a single part of the Mass was ready enough for Beethoven to be satisfied with his work. The Missa solemnis was so important to him that he simply couldn't let it go as long as it was unfinished - again and again he had to bring it a little closer to completion. (An impression of the many changes is given by a hole that he had erased in one place in the course of countless corrections, although the paper was of the best quality.)

Beethoven seemed obsessed with the task he had set himself. The Missa solemnis was to become his greatest work. In preparation, he studied church music, procured copies of the hymns sung in the monasteries, had an exact translation of the Latin text made and, for practice, copied choruses from Handel's "Messiah" (for him, Handel was the greatest composer who ever lived). .

Anton Schindler, his friend and future biographer, visited Beethoven while he was working on the Missa solemnis. Already in the stairwell you could hear him "sing, howl and stomp". Schindler continues: "After we had been listening to this almost horrific scene for a long time and were just about to leave, the door opened and Beethoven stood before us with disturbed facial features that could inspire fear. He looked as if he had just fought to the death and life with the whole troop of counterpointists, his perennial adversaries."

In 1823 Beethoven gave the Archbishop of Olmütz the Missa dedicated to him; the enthronement was years ago. In April 1824 the first performance took place in St. Petersburg. Finally, three of the five movements were premiered in Vienna, not in a church, but in the completely sold-out Kärntnertortheater. However, Archduke Rudolph was not present on May 7, 1824.

This recording was made on April 13, 1979 in the Festspielhaus Salzburg.

Austria

Missa Solemnis Beethoven

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Contralto

Tenor

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Missa solemnis in D major, op. 123 by Beethoven, Nuo (1979/1979), Dirigentas Herbert von Karajan

Veiklos kreditai (Atlikėjai ir kūrėjai )

Atlikėjai

Ansamblis

Programa, apie ir aprašymas

Nuotraukos

Toliau skaitant

Spektaklio datos ir vietos

Vietos