Name: Missa solemnis in D major, op. 123
Start: 2022-04-08T00:00:00.000Z
End: 2022-04-10T00:00:00.000Z
Location: Overture Center for the Arts

Organization

Admin

Madison Symphony Orchestra

Conductor

John DeMain

Chorus master

Beverly Taylor

Instrumentalist

Violinist

Naha Greenholtz

Violin

Singer

Soprano

Sara Duchovnay

Contralto

Briana Hunter

Alto

Tenor

Clay Hilley

Bass

Kenneth Kellogg

Missa solemnis in D major, op. 123

Madison

United States

Overture Center for the Arts

Public

Violin Concerto No. 4 in G major, Hob. VIIa/4

Cristina Pardo Ramírez

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Baritone

Mezzo-soprano

Child vocalist

Continuo

Silent

Spoken

Yes, Mozart was his inspiration, but Haydn was Beethoven’s teacher. Concertmaster Naha Greenholtz performs the Violin Concerto in G major. A great work from the height of Beethoven’s composing career, the monumental Missa Solemnis is one of his supreme achievements and one of the most significant Latin Mass settings ever penned.

 The muse, the mass, and the money. The sentiments in Beethoven’s Missa Solemnis appeal to humankind’s highest aspirations, but Beethoven’s business dealings with it were decidedly earthbound. He sold the work seven times. While haggling with the publisher Simrock, Beethoven not only hung onto the fee he had received but wrote to six other firms promising the Mass to them. When Simrock wanted their money back, Beethoven promised another Mass, but never got around to writing it.
– Norman Gilliland

English

Missa solemnis in D major, op. 123 by Beethoven, Violin Concerto No. 4 in G major, Hob. VIIa/4 by Haydn, vas 10 ápr 2022, -tól (2022/2022), Karmester John DeMain, Overture Center for the Arts, Madison, United States

Előadás kreditek (Szereplők & Stáb )

Öntvény

Legénység

Program, névjegy és szinopszis

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