Name: Monteverdi | Carissimi | Scarlatti | Purcell
Start: 2022-11-01T00:00:00.000Z
End: 2022-11-02T00:00:00.000Z
Location: Lingotto

Organization

Conductor

John Eliot Gardiner

Orchestra

English Baroque Soloists

Others

Monteverdi Choir

Monteverdi Choir & Orchestras

Monteverdi | Carissimi | Scarlatti | Purcell

Vicenza

Italy

Teatro Olimpico

Turin

Lingotto

Auditorium Giovanni Agnelli

Monteverdi | Carissimi | Scarlatti | Purcell: Jehova, Quam Multi Sunt Hostes Mei (+4 More)

Public

Jehova, Quam Multi Sunt Hostes Mei

Messa a 4 Voci da Cappella

Stabat Mater

Hear my Prayer, O Lord, Z. 15

Jephtha

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Soprano

Tenor

Countertenor

Contralto

Mezzo-soprano

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

In November 2022, the Monteverdi Choir, English Baroque Soloists and John Eliot Gardiner performed a programme of Baroque choral masterpieces at iconic venues in Northern Italy.

Programme:

Purcell Jehova, quam multi sunt hostes
Monteverdi Messa a 4 voci da cappella
D. Scarlatti Stabat mater
Purcell Hear my prayer, O Lord
Carissimi Jephte

Three Italian choral masterpieces showcase the virtuosity of the Monteverdi Choir, and highlight the changing musical styles in Italy in the 17th and early 18th centuries. Monteverdi’s final setting of the mass, written while he was maestro di cappella of St Mark’s in Venice in the first half of the 17th century, mixes the older polyphonic style with more declamatory passages. Carissimi’s Jephte, a miniature sacred musical drama written in the middle of the 17th century, uses an almost operatic style of solo writing alongside meltingly beautiful choruses to tell the Old Testament story of Jephtha, the Israelite leader forced to sacrifice his own daughter. Domenico Scarlatti’s 10-voice Stabat mater, composed in the early years of the 18th century, combines the old-fashioned polyphonic choral style with a passionate rhetoric, in a graphic depiction of Christ’s crucifixion with all the intensity of a Bernini sculpture or a Caravaggio tableau.

Two pieces by Purcell reveal Italianate influence on the English composer: in the 8-voice Hear my prayer, O Lord the harmonies become ever more extraordinary in a crescendo of supplication to God; while Jehova, quam multi sunt hostes (an exceptional setting of a Latin text in Purcell’s oeuvre) features an almost Monteverdian declamatory style.

English

Monteverdi | Carissimi | Scarlatti | Purcell by Purcell, Monteverdi, Scarlatti, D., Carissimi, Nuo (2022/2022), Dirigentas John Eliot Gardiner, Lingotto, Turin, Italy

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