Organization

Cantante

Soprano

Olga Pasiecznik

Basso-baritono

Robert Gierlach

Direzione d'orchestra

Rafał Kłoczko

Polska Opera Królewska

Mozart Da Camera / Pasiecznik - Gierlach

Polonia

We invite you to listen to the rebroadcast of the MOZART DA CAMERA / Pasiecznik - Gierlach concert performed by the outstanding soloists of the Polish Royal Opera - Olga Pasiecznik and Robert Gierlach, accompanied by the musicians of the Polish Royal Opera Orchestra.

 The first event with the participation of the public after a long break, took place on June 6 this year.  at the Royal Theater at the Royal Łazienki Museum in Warsaw and was another in the series of concerts LIVE❗️ broadcast to our viewers on the YouTube channel.


 Mozart's operas are full of works that sound great also outside the stage context.  They certainly include spectacular arias and duets of the main characters.  The Viennese was famous for his ability to shape psychological portraits of characters using musical means.  And without knowing the libretto, the listener will notice the variety of emotions and feelings enchanted in the sounds of the parts of Susanna, Figaro or Count Almaviva.  He is intrigued by the many faces of the insidious seducer - Don Giovanni.  Also, the sound of love dialogues is always adapted to the character of the character.  Is it possible to remain indifferent to the light and joyful, but so touching "bird" duo of Papagena and Papagena?  Although the selected arias and duets will sound during the concert without a natural operatic entourage, the listener will certainly find their balance and universal beauty, as well as a whole range of contexts and meanings.  Especially that the works will be performed by high-class artists - Olga Pasiecznik and Robert Gierlach with the accompaniment of musicians of the Polish Royal Opera Orchestra.  The intimate arrangements, prepared by Adam Mazurek and Rafał Kłoczka, fit perfectly into the rich tradition of developing Mozart's works.

Mozart Da Camera / Pasiecznik - Gierlach: Concert Various

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Basso

Baritono

Tenore

Mezzosoprano

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

“[…] I watched with great pleasure all those people hopping happily to the music of my Figaro , transformed into pleasant contradances and allemandes. Here, they talk about nothing else but Figaro . Figaro is played, sung, hummed, and whistled everywhere. No other opera arouses so much interest as Figaro , nothing but Figaro . For me, it is really a great honour!” – wrote Mozart from Prague in his letter dated 15 January 1787 addressed to his friend Gottfried von Jacquin in Vienna. We know, moreover, that the Prague premiere of Don Giovanni was similarly warmly received by the audience.

Mozart’s operas are full of parts that sound wonderfully also outside the scenic context. Here we can certainly include the signature arias and duets of the main protagonists, as Mozart was famous for his skill of shaping psychological portraits of his characters with music. Even those who do not know the libretto will notice the diversity of feelings and emotions captured in Susanna’s, Figaro’s, or Count Almaviva’s parts. Intriguing are the many faces of the cunning seducer Don Giovanni. Romantic dialogues also always fit the character of a person. How could we remain indifferent to the light and joyful, but so moving, “bird” duet of Papageno and Papagena?

Although the selected arias and duets will be performed without their usual opera entourage, the listener will surely experience their harmony and universal beauty, as well as a whole range of contexts and meanings, especially as the singers are the top-class artists Olga Pasiecznik and Robert Gierlach accompanied by the musicians of the Orchestra of the Polish Royal Opera. Chamber arrangements, prepared by Adam Mazurek and Rafał Kłoczko, are extremely well suited to the rich tradition of how Mozart’s works have been presented – since the times of Mozart himself, as we learn from the cited letter.

English

Mozart Da Camera / Pasiecznik - Gierlach by Various, Da (2020/2020), Direttore d'orchestra Rafał Kłoczko

Crediti di rappresentazione (Cast e team di produzione )

Cast

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

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