Name: Nathanael gouin, piano
Start: 2023-05-11T00:00:00.000Z
End: 2023-05-11T00:00:00.000Z
Location: Salle Gaveau

Organization

Salle Gaveau

Nathanael gouin, piano

Parigi

Francia

Nathanael gouin, piano: Recital

Public

Scherzo n. 1 in si minore, Op. 20

Scherzo n. 2 op. 31

Scherzo n. 3 in do diesis minore, Op. 39

Scherzo n. 4 in mi maggiore, Op. 54

Tre Intermezzi op. 117

Variations on a Theme by Paganini, op.35

Approvato

Le XIXe siècle est celui des virtuoses du piano, au premier rang desquels trône Frédéric Chopin. Loin toutefois de se cantonner à la simple pyrotechnie, le compositeur bouleversa aussi le paysage poétique de son temps. Ainsi de ses quatre Scherzi : Chopin s’empare de cette danse déjà très utilisée pour lui conférer une ampleur expressive inédite.
Toutefois, l’incarnation absolue de la virtuosité s’avère être le violoniste Niccolò Paganini. Son habileté diabolique marqua durablement les esprits, comme le rappellent les redoutables Variations sur un thème de Paganini de Johannes Brahms – il s’agit du thème du Caprice n° 24. À l’inverse, dans les Intermezzi op. 117 (1897), au crépuscule de sa vie, Brahms n’a plus rien à prouver : ces « berceuses de sa douleur », pour reprendre ses propres mots, distillent les couleurs pastel d’un mélancolique coucher de soleil.
 
En matière de maîtrise instrumentale, Nathanaël Gouin a largement démontré qu’il était capable d’affronter toutes les partitions. En outre, sa fine compréhension de la palette sonore donnera à chaque pièce abordée une individualité indispensable.

français

The 19th century is that of piano virtuosos, foremost among whom is Frédéric Chopin. However, far from confining himself to simple pyrotechnics, the composer also upset the poetic landscape of his time. Thus with his four  Scherzi  : Chopin took over this dance, which was already widely used, to give it unprecedented expressive breadth.
However, the absolute embodiment of virtuosity turns out to be the violinist Niccolò Paganini. His diabolical skill made a lasting impression, as recalled by the formidable  Variations on a Theme of Paganini  by Johannes Brahms – this is the theme from  Caprice No. 24 . Conversely, in the  Intermezzi op. 117  (1897), in the twilight of his life, Brahms no longer has anything to prove: these “lullas of his pain”, to use his own words, distill the pastel colors of a melancholic sunset.
 
In terms of instrumental mastery, Nathanaël Gouin has amply demonstrated that he was capable of facing all scores. In addition, his fine understanding of the sound palette will give each piece an essential individuality.

English

Nathanael gouin, piano by Chopin, Brahms, Da (2023/2023), Salle Gaveau, Parigi, Francia

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