Name: Ndr Elbphilharmonie Orchestra Christoph Eschenbach
Start: 2017-04-06T00:00:00.000Z
End: 2017-04-09T00:00:00.000Z
Location: Elbphilharmonie

Admin

Elbphilharmonie & Laeiszhalle Hamburg

Orchestra

NDR Sinfonieorchester

Conductor

Christoph Eschenbach

Singer

Bo Skovhus

Baritone

Ndr Elbphilharmonie Orchestra / Christoph Eschenbach

Hamburg

Germany

Elbphilharmonie

Grosser Saal

Public

Concert

Shirim

Symphony No. 6 in A minor "Tragic"

Simon Samuel

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Tenor

Bass-baritone

Countertenor

Mezzo-soprano

Bass

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

»Gustav Mahler hatte in gewisser Weise Einfluss auf jeden, der nach ihm Musik geschrieben hat: Er hatte den Mut, subjektiv zu sein.« So charakterisiert der Komponist, Dirigent und Elbphilharmonie-Residenzkünstler Matthias Pintscher seinen großen Kollegen. Die große Emotionalität von Mahlers Musik verraten schon die Vortragsanweisungen seiner Sechsten Symphonie: »Wie gepeitscht – Wie wütend dreinfahren – Wie ein Axthieb«, heißt es in der Partitur.

Selbst Herdenglockengebimmel und Hammerschläge band Mahler in seine Musik ein; der musikalische Ausdruck kannte für ihn keine Grenzen. Dieser unbedingte Wille zur persönlichen Artikulation prägt auch Pintschers eigenes Schaffen: »Ich schreibe Musik ganz aus mir selbst heraus«, lautet seine Devise. Sein neuestes Stück ist zugleich eng mit dem Ort verbunden, an dem es nun erklingt: Er schrieb es eigens für die Eröffnungssaison der Elbphilharmonie.

Deutsch

»To a certain extent, Gustav Mahler had an influence on every composer who came after him: he had the courage to be subjective.« Thus the composer, conductor and Elbphilharmonie Artist in Residence Matthias Pintscher characterises his great predecessor.  Mahler’s performing instructions for his Sixth Symphony give evidence of the great emotionality of his music: the score contains markings like »As if lashed with a whip – Full of anger – Like the blow of an axe«.

Mahler even incorporated goats’ bells and hammer blows into his music: he knew no limits to musical expression. This determination to articulate his personal feelings also marks Pintscher’s own work: »I write music entirely from within myself« is his maxim. His latest composition is also closely linked to the place where it is now heard: he wrote it specially for the Elbphilharmonie’s inaugural season.

English

Ndr Elbphilharmonie Orchestra / Christoph Eschenbach by Pintscher, Mahler, Alkaen (2017/2017), Musiikinjohto Christoph Eschenbach, Elbphilharmonie, Hamburg, Germany

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