Organization

Conductor

Hari Zlodre

Set designer

Dinka Jeričević

Costume designer

Irena Sušac

Choreographer

Miljenko Vikić

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

Singer

Soprano

Božena Svalina

Jelena

Snjezana Katic

Špiro Boban

Veliki Vezir

Vinko Maroević

Zdeslav Petrašić

Bosanski paša

Tonči Banov

Begler beg

Bass

Henrik Šimunković

Sulejman

Franjo Pavić

Tenor

Miroslav Ljubičić

Paprutović

Jure Mirošević

Sokolović

Ante Ivić

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Nikola Šubić Zrinjski -  (Nikola Šubić Zrinski)

Split

Croatia

Public

Nikola Šubić Zrinski

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Contralto

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Although Zajc's oeuvre includes more than a thousand different compositions, including almost thirty operas, only his Nikola Šubić Zrinjski earned the status of undisputed among Croatian opera titles. As a musical tragedy with a national theme, Zrinjski struck a chord with any nation from the beginning, which made it an opera whose popularity can only be matched by Gotov's Ero . The last time in Split was, significantly, Zrinjskistaged in 1991, at the dawn of the fateful struggle for independence, it remained in the repertoire for the entire Homeland War, and since it never received a lukewarm reception from the audience, it will certainly cause a strong emotional charge this time as well.

English

Nikola Šubić Zrinjski zavrijedio status neprikosnovenosti među hrvatskim opernim naslovima. Kao glazbena tragedija s nacionalnom tematikom, Zrinjski je od početka pogodio bilo naroda, što ga je učinilo operom s čijom se popularnošću može mjeriti još jedino Gotovčev Ero. U Splitu je posljednji put, znakovito, Zrinjski postavljan 1991., u osvit sudbonosne borbe za samostalnost, i na repertoaru se zadržao za cijelog Domovinskog rata, a kako u publike nikada nije nailazio na mlak prijem, zacijelo će i ovaj put izazvati snažan emocionalni naboj.

hrvatski

Nikola Šubić Zrinski by Zajc, kedd 04 ápr 2006, -tól (2006/2006), Karmester Hari Zlodre, HNK, Split, Croatia

Előadás kreditek (Szereplők & Stáb )

Öntvény

Legénység

Együttes

Program, névjegy és szinopszis

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek