Name: Norma
Start: 2021-03-03T00:00:00.000Z
End: 2021-03-19T00:00:00.000Z
Location: Teatro Real

Admin

Organization

Tenor

Michael Spyres

Pollione

John Osborn

Bass

Roberto Tagliavini

Oroveso

Fernando Radó

Soprano

Yolanda Auyanet

Norma

Hibla Gerzmava

Clémentine Margaine

Adalgisa

Annalisa Stroppa

Fabián Lara

Flavio

Juan Antonio Sanabria

Stage director

Justin Way

Set designer

Charles Edwards

Costume designer

Sue Willmington

Lighting designer

Nicolás Fischtel

Chorus master

Andrés Máspero

Berna Perles

Clotilde

Choreographer

Jo Meredith

Conductor

Marco Armiliato

Asistente director musical

Jonathan Santagada

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Iodáilis

Madrid

Spain

Teatro Real

Sala Principal

Public

Spáinnis

Béarla

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Bass-baritone

Contralto

Baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Never before had the taboos relating to female virginity been staged so explicitly as in Italian Romantic opera. Although condemned to ostracism in real life, in bel canto melodrama heroines stand up as transgressors, victims or practisers of pagan rites to simultaneously stimulate the public’s admiration, compassion and terror. The most tragic and demanding from a vocal point of view among them is Norma, opening at the Teatro alla Scala of Milan in 1831. Set during the Roman occupation of Gaul, it includes themes of motherhood, friendship and sisterhood, warmongering and religious fanaticism. Thanks to its legendary beauty and ethereality this combination renews the opera’s appeal generation after generation. Bellini breathed life into his melodies with an unusual dramatic weight which even inspired the admiration of Wagner, who, without doubt, used the embers from the immolation of Norma to light the pyre of Brünnhilde.

English

Norma by Bellini, Déa 18 Márt 2021, Ó (2021/2021), Faoi stiúir Justin Way,, Seoltóir Marco Armiliato, Teatro Real, Madrid, Spain

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid