Name: NOSPR Domingo Hindoyan Kateřina Kněžíková Tymoteusz Bies
Start: 2022-10-14T00:00:00.000Z
End: 2022-10-14T00:00:00.000Z
Location: NOSPR

Admin

Polish National Radio Symphony Orchestra

Conductor

Domingo Hindoyan

Orchestra

Singer

Kateřina Kněžíková

Soprano

Instrumentalist

Tymoteusz Bies

Piano

Voice

NOSPR / Domingo Hindoyan / Kateřina Kněžíková / Tymoteusz Bies

Katowice

Poland

NOSPR

Concert Hall

NOSPR / Domingo Hindoyan / Kateřina Kněžíková / Tymoteusz Bies: Overture in the Italian Style No. 2 in C Major, D. 591 Schubert (+2 More)

Public

Overture in the Italian Style in C major, D 591

Symphony 4

Ch’io mi scordi di te? – Concert aria with piano obbligato KV 505

Saurav Kumar

Approved

Retrospection, stylisation, pastiche – eternal themes in classical music. Mozart’s concert aria (in a genre that would soon pass into oblivion) was written for a star of the Vienna opera house, Nancy Storace. Here, the pain of separation is combined with a remembrance of closeness that echoes through the piano part. Schubert wanted to prove with his overture (for a bottle of good wine) that he knew how to write in the style of Rossini, who was much admired in his entourage. Gustav Mahler assumed Schubert’s fondness for ‘heavenly lengths’ that opened up unfathomable space. In his Fourth Symphony, a buoyant Mozartean rationalism, charming melodies and the pleasure of communing with music are intertwined with Mahlerian theology, just as the recollection of innocence is juxtaposed with traditional representations of Death playing a fiddle and heavenly delights in the closing song.

English

NOSPR / Domingo Hindoyan / Kateřina Kněžíková / Tymoteusz Bies by Schubert, Mahler, Mozart, No (2022/2022), Diriģents Domingo Hindoyan, NOSPR, Katowice, Poland

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