Name: Orchestre de chambre de Paris
Start: 2023-10-12T00:00:00.000Z
End: 2023-10-12T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Maxim Emelyanychev

Instrumentalist

Aylen Pritchin

Violin

Théâtre des Champs-Elysées

Others

Orchestre de Chambre de Paris

Orchestre de chambre de Paris

Paris

France

Orchestre de chambre de Paris Maxim Emelyanychev, Aylen Pritchin: Märchen von der schönen Melusine, op.32 Mendelssohn (+2 More)

Public

The Fair Melusine, op. 32

Violin Concerto No. 3, op. 61

Symphony No. 5 in D major/D minor

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Soprano

Countertenor

Baritone

Mezzo-soprano

Tenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Orchestre de chambre de Paris: Märchen von der schönen Melusine, op.32 Mendelssohn (+2 More)

Mendelssohn et Saint-Saëns possèdent bien des points communs : chefs d’orchestre et pianistes virtuoses, ils incarnent l’esthétique musicale de leurs pays respectifs sans pour autant oublier de regarder de l’autre côté du Rhin. Dans sa Symphonie n° 5, composée en 1830 pour le tricentenaire de la Confession de foi d’Augsbourg, Mendelssohn cite le célèbre cantique de Luther Ein’ feste Burg ist unser Gott et affirme sa foi protestante. Trois ans après, c’est en revanche une légende poitevine qui lui inspire le climat féerique de son ouverture symphonique La Belle Mélusine. Quant au Concerto pour violon n° 3 de Saint-Saëns (1880), si sa clarté typiquement française est teintée de quelques accents hispanisants (référence au violoniste Pablo de Sarasate, son premier interprète), il a été créé à Hambourg, la ville natale de Mendelssohn.

français

Mendelssohn and Saint-Saëns have many points in common: conductors and virtuoso pianists, they embody the musical aesthetics of their respective countries without forgetting to look at the other side of the Rhine. In his Symphony No. 5, composed in 1830 for the tercentenary of the Augsburg Confession of Faith, Mendelssohn quotes Luther's famous canticle Ein' feste Burg ist unser Gott and affirms his Protestant faith. Three years later, on the other hand, it is a Poitevin legend that inspires him with the magical atmosphere of his symphonic overture La Belle Mélusine.As for Saint-Saëns' Violin Concerto No. 3 (1880), although its typically French clarity is tinged with a few Hispanic accents (a reference to the violinist Pablo de Sarasate, his first interpreter), it was premiered in Hamburg, the city of his birth. by Mendelssohn.

English

Orchestre de chambre de Paris by Mendelssohn, Saint-Saëns, Fra (2023/2023), Dirigent Maxim Emelyanychev, Théâtre des Champs-Elysées, Paris, France

Forestillingkreditter (Ensemble & produksjonsteam )

Ensemble

Medprodusent

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted