Name: Orchestre National de France
Start: 2022-03-17T00:00:00.000Z
End: 2022-03-17T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Cristian Măcelaru

Singer

Baritone

Matthias Goerne

Théâtre des Champs-Elysées

Orchestra

Orchestre National de France

Paris

France

Théâtre

Matthias Goerne in recital (Strauss, Wagner): Recital Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Soprano

Tenor

Mezzo-soprano

Bass-baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

On connaît la boutade de Debussy à propos de Richard Strauss : « Des deux Richard, je choisis Wagner, et des deux Strauss, je préfère Johann. » Mais s’ils passent pour des adeptes de la très grande forme, les deux Richard sont ici réunis à la faveur de deux œuvres concises : la Sérénade pour instruments à vent d’un Strauss de vingt ans, qui marche ici sur les traces de son père, premier cor solo dans l’orchestre du Festival de Bayreuth ; et les Wesendonck Lieder, cycle de cinq miniatures dans lequel Wagner affûte les thèmes qui seront ceux de Tristan et Isolde : message subliminal envoyé à Mathilde Wesendonck, qu’on est impatient d’entendre dans la voix de Matthias Goerne. La Passacaille d’un Webern qui n’est pas encore dodécaphonique et la Quatrième Symphonie de Schubert nous ferons faire enfin un détour par Vienne.

français

We know Debussy's quip about Richard Strauss: “  Of the two Richards, I choose Wagner, and of the two Strausses, I prefer Johann . But if they pass for followers of the great form, the two Richards are brought together here in favor of two concise works: the Serenade for wind instruments by a twenty-year-old Strauss, who here follows in the footsteps of his father, first solo horn in the Bayreuth Festival orchestra; and the Wesendonck Lieder , a cycle of five miniatures in which Wagner sharpens the themes that will be those of Tristan and Isolde  : a subliminal message sent to Mathilde Wesendonck, whom we can't wait to hear in the voice of Matthias Goerne. The Passacagliaof a Webern which is not yet dodecaphonic and Schubert's Fourth Symphony we will finally make a detour via Vienna.

English

Orchestre National de France by Various, Alkaen (2022/2022), Musiikinjohto Cristian Măcelaru, Théâtre des Champs-Elysées, Paris, France

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