Name: Orchestre National de France
Start: 2023-03-30T00:00:00.000Z
End: 2023-03-30T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Cristian Măcelaru

Soprano

Diana Damrau

Théâtre des Champs-Elysées

Orchestra

Orchestre National de France

Paris

France

Orchestre National de France: Recital Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Tenor

Baritone

Contralto

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Diana Damrau: Recital Various

This is a program that requires no justification other than the pleasure of listening to three of the most beautiful works in the orchestral repertoire. Le Tombeau resplendissant , first of all, as its title indicates, is a splendid page, which is one of the very first scores written for the orchestra by Messiaen, and which was premiered by the great Pierre Monteux. The Pathetic Symphony , with its melancholic waltz and its frantic march, ends like a silent requiem. Between the two, Diana Damrau will reunite with Richard Strauss, a greedy cantor inspired by the female voice, and will ask the famous question which is the very issue of Capriccio  : “  Prima la musica? e poi the word?  »

English

Voilà un programme qui ne requiert aucune justification sinon le plaisir d’écouter trois œuvres parmi les plus belles du répertoire pour orchestre. Le Tombeau resplendissant, d’abord, comme son titre l’indique, est une page splendide, qui fait partie des toutes premières partitions écrites pour l’orchestre par Messiaen, et qui fut créée par le grand Pierre Monteux. On ne présente plus la Symphonie pathétique, avec sa valse mélancolique et sa marche frénétique, qui s’achève à la manière d’un requiem muet. Entre les deux, Diana Damrau retrouvera Richard Strauss, chantre gourmand et inspiré de la voix féminine, et posera la célèbre question qui est l’enjeu même de Capriccio : « Prima la musica ? e poi le parole ? »

français

Orchestre National de France by Various, No (2023/2023), Diriģents Cristian Măcelaru, Théâtre des Champs-Elysées, Paris, France

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