Name: Orfeo ed Euridice
Start: 2017-05-18T00:00:00.000Z
End: 2017-05-28T00:00:00.000Z
Location: Apollo Theatre

Artist

Admin

Choreografia

Olga Spyraki

Reżyseria światła

Antonis Panayiotopoulos

Śpiewak

Sopran

Maria Katrivesi

Amor

Reżyseria

Michael Seibel

Apollo Theatre

Orfeo ed Euridice -  (Orfeusz i Eurydyka)

Oksford

Wielka Brytania

Municipal and Regional Theatre of Patras: Orfeo ed Euridice Gluck

Public

Orfeusz i Eurydyka

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chorus Director

Chór

Dramaturgia

Dyrygent

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

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Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Tenor

Baryton

Bas - baryton

Kontratenor

Mezzosopran

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Int. Opera Studio ΠάτραςΔημοτικό Θέατρο Απόλλων Πάτρα 17, 18, 19, 20, 21 & 24, 25, 26, 27, 28 ΜαΪου 2017Σκηνοθεσία Michael Seibel

With the opera Dido and Aeneas by Henry Purcell, the International Opera-Studio Patras (IOSP) successfully presented last year the first sample of its artistic works on the stage of the Municipal Theater of Apollo. The positive reception from the spectators encouraged us to present a new operatic production this year in the hope of winning over the audience again. We chose the opera by Christoph Willibald Gluck, Orpheus and Eurydice, in its French version.
In this opera, the music and the speech are in perfect harmony with each other, thus influencing the mental state of the spectators. Gluck's goal is to bring the "truly human" to the fore. 
And with this opera, as already with Dido and Aeneas, we emphasize the connection with the ancient Greco-Roman civilization and especially with the ancient tragedy, whose revival at the end of the 16th century led to the creation of a new musical genre, opera. . 
Thus, we move Orpheus, the popular mythical singer, archetype of the toothless man, to today, where the music is overshadowed by the image, narcissism and excessive egoism of the star singers. This is the young Orpheus and Eurydice, unhappy, his acquisition. Her sudden death shortly before her marriage to the popular singer frees her from this relationship. Her death, however, leads Orpheus to a deep identity crisis. The shock of the sudden loss of the woman he loved according to his own view of love and affection and his grief over her death lead him to contemplation. Physically tired and mentally exhausted he falls into a deep sleep, on the one hand a nightmare, on the other a redemptive counselor. In this world he learns to use his music to break down obstacles in front of him but also to heal the pain of loss. He wakes up purified as a young Orpheus. As a reward for all his efforts, he is given the opportunity of a reconnection with Eurydice, who is now presented as an emancipated and equal companion for Orpheus.

English

Orfeusz i Eurydyka by Gluck, sob 27 maj 2017, od (2017/2017), W reżyserii Michael Seibel,, Apollo Theatre, Oksford, Wielka Brytania

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