Name: Orlando paladino
Start: 2018-04-27T00:00:00.000Z
End: 2018-07-05T00:00:00.000Z
Location: Stadttheater

Admin

Organization

Scenografia

Marlene Lockemann

Kostiumy

Viva Schudt

Dramaturgia

Anne Christine Oppermann

Śpiewak

Sopran

Cornelie Isenbürger

Angelica

Caio Monteiro

Rodomonte

Tenor

Daniel Pataky

Orlando

Liang-Hua Gong

Medoro

Yoshiaki Kimura

Licone

Nienke Otten

Eurilla

Lorin Wey

Pasquale

Hasti Molavian

Alcina

Caronte

Dyrygent

Merijn van Driesten

Theater Bielefeld

Reżyseria

Felicitas Brucker

włoski

Orlando paladino

Bielefeld

Niemcy

Stadttheater

Orlando paladino Haydn

Public

niemiecki

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

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Chorus Director

Chór

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

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Other

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Poet

Produkcja wykonawcza

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Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Mezzosopran

Kontralt

Bas - baryton

Kontratenor

Baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Dramma eroicomico in three acts // Text by Nunziato Porta after Carlo Francesco Badini // In Italian with German surtitles

What a great effect little hearts and vows of love carved in tree bark can have! When Knight Orlando sees from the carvings that his adored Angelica loves someone else, he succumbs to mad jealousy. Vengefully he pursues the lovers, who in turn are pursued by the choleric warrior Rodomonte. A wild chase begins. Because while Angelica's lover Medoro doesn't like a fight at all, it would be the fulfillment of a long-cherished dream for Rodomonte to finally duel with the frenzied Orlando. It's good that Angelica can count on the magical support of the fairy Alcina. But with such deep-seated love madness, even Alcina has to enlist the help of the underworld to bring Orlando back to his senses. Ultimately, however, nothing stands in the way of the general realization that if you want to be happy, it is best to only love those who love you. Better safe than sorry!

Based on the fantastic knight epic Orlando Furioso by Ludovico Ariosto, Joseph Haydn's Orlando Paladino , which premiered in 1782, lovingly pokes fun at blind love and pathetic heroism. Noble and rabbit-footed knights, charming but well-fortified ladies, terrifying monsters and all sorts of magic - with fresh melody and a sense of parody, Haydn combines these heroic, comic and sensitive elements into an unconventional, romantic fantasy opera. A firework of absurdly funny ideas and musical wit!

English

Orlando paladino by Haydn, ndz 27 maj 2018, od (2018/2018), W reżyserii Felicitas Brucker,, Dyrygent Merijn van Driesten, Stadttheater, Bielefeld, Niemcy

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