Organization

Dirigent

Dirigent (+7)

Giovanni Antonini

Regie

Regie (+4)

Robert Carsen

Bühnenbild

Bühnenbild (+1)

Gideon Davey

Kostümbild

Lichtgestaltung

Lichtgestaltung (+3)

Peter van Praet

Mezzosopran (+4)

Stéphanie d'Oustrac

Orontea

Countertenor (+5)

Carlo Vistoli

Alidoro

Sopran (+1)

Francesca Pia Vitale

Silandra

Countertenor (+3)

Hugh Cutting

Corindo

Bass (+4)

Mirco Palazzi

Creonte

Sopran (+2)

Maria Nazarova

Giacinta

Luca Tittoto

Gelone

Sopran

Sara Blanch

Tibrino

Teatro alla Scala

Orchestra

Orchestra del Teatro alla Scala

Mezzosopran (+2)

Marcela Rahal

Aristea

The project aiming to rediscover the Italian origins of opera and the limitless riches of the Baroque as it developed in Naples, Rome, and Venice has recently brought two premieres to the La Scala stage: La Calisto by Francesco Cavalli and Li zite ’ngalera by Leonardo Vinci. The exploration continues in 2024 with Orontea by Antonio Cesti; after its debut in Innsbruck in 1656, it became one of the most frequently performed operas of that century, thanks partly to the seductive immediacy of certain arias, before falling into undeserved oblivion. An important chapter in the rediscovery was the production staged by Bruno Bartoletti at the Piccola Scala in 1961 with mezzo-soprano Teresa Berganza. The new La Scala production, conducted by the illustrious specialist Giovanni Antonini, marks the return of director Robert Carsen with a Baroque opera after his triumphant rendition of Händel’s Giulio Cesare.

Orontea, Cesti

Besetzung

Orontea

Alidoro

Silandra

Corindo

Creonte

Giacinta

Gelone

Tibrino

Aristea

Produktionsteam

Regie

Dirigent

Bühnenbild

Kostümbild

Lichtgestaltung

Instrumentierung

Produzent

Produzent

Ensemble

Orchester

Co-Produzent

Rezensionen 2

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Über

Komposition

Beschreibung

Produktionssynopsis

Veranstaltungsorte

Teatro alla Scala

Mailand, Italien