Organization

Dyrygent

Niksa Bareza

Hari Zlodre

Reżyseria

Ozren Prohić

Kostiumy

Irena Sušac

Scenografia

Dubravka Lošić

Choreografia

Jasna Frankić Brkljačić

Przygotowanie chóru

Ana Šabašov

Reżyseria światła

Zoran Mihanović

Śpiewak

Baryton

Bojan Šober

Jupiter

Sopran

Adela Golac Rilović

Eurydice

Tenor

Sveto Matošić Komnenović

Aristée/Pluton

Ante Ivić

Orphée

Vinko Maroević

Mercure

Snjezana Katic

Diane

Mezzosopran

Renata Pokupić

Cupidon

Marija Bubic

Minerve

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Orphée aux enfers -  (Orfeusz w piekle)

Split

Chorwacja

Orphée aux enfers Offenbach

Public

Orfeusz w piekle

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Kontratenor

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Offenbach was an astonishingly fast and prolific composer. He easily found catchy melodies that he would introduce with the skill of a genius into the rhythms of the popular dances of the time and the frames of the city's, Parisian musical folklore. Offenbach's stage parodies or operetta satires dissect all layers of society with surgical precision, not even avoiding its top.

The best example of his active creative relationship with the environment is Orpheus in the Underground, one of the master's most famous operettas in which the object of satire is the highest level of government. In fact, Orpheus illuminated the background against which the scenes of dictatorship unfolded. It is easy to see contemporary analogies with Jupiter, the father of the gods who lurks on every pretty face, with Juno,

his wife, who is consumed by jealousy, with the double click of the gods who follow the example of their master...

English

Offenbach je bio zapanjujuće brz i plodan skladatelj. Lako je pronalazio dopadljive melodije koje bi vještinom genija unosio u ritmove ondašnjih popularnih plesova i okvire gradskoga, pariškoga glazbenog folklora. Offenbachove scenske parodije ili operetne satire kirurškom preciznošću seciraju sve slojeve društva, ne izbjegavajući ni njegov vrh.
Najbolji primjer njegova aktivnog stvaralačkog odnosa prema sredini je Orfej u podzemlju, jedna od najglasovitijih majstorovih opereta u kojoj je objekt satire najviši vrh vlasti. Zapravo, Orfej je osvijetlio pozadinu pred kojom su se odvijali prizori diktature. Lako je uočiti suvremene analogije s Jupiterom, ocem bogova koji vreba na svako ljepuškasto lice, s Junonom,

njegovom suprugom, koju proždire ljubomora, s dvostrukom klikom bogova koji slijede primjer svojega gospodara...

hrvatski

Orfeusz w piekle by Offenbach, ndz 05 gru 1999, od (1999/1999), W reżyserii Ozren Prohić,, Dyrygent Niksa Bareza, Hari Zlodre, HNK, Split, Chorwacja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca