Name: Otello
Start: 2019-12-09T00:00:00.000Z
End: 2019-12-22T00:00:00.000Z
Location: Royal Opera House

Organization

Śpiewak

Tenor

Gregory Kunde

Otello

Sopran

Ermonela Jaho

Desdemona

Baryton

Carlos Álvarez

Jago

Freddie De Tommaso

Cassio

Andrés Presno

Roderigo

Mezzosopran

Catherine Carby

Emilia

Michael Mofidian

Montano

David Soar

Lodovico

Dyrygent

Antonio Pappano

Reżyseria

Keith Warner

Scenografia

Boris Kudlička

Kostiumy

Kaspar Glarner

Reżyseria światła

Bruno Poet

Choreografia

Michael Barry

Royal Opera House

włoski

Londyn

Wielka Brytania

Public

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Bas - baryton

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Otello Verdi

Verdi’s Shakespeare-inspired opera Otello plays out the fatal consequences of romantic jealousy. Jonas Kaufmann, Marco Vratogna, Thomas Atkins and the Royal Opera Chorus perform 'Dio fulgor...Esultate!'. To book tickets and find out more, head to https://www.roh.org.uk/tickets-and-ev...
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Light and dark, good and evil: Keith Warner’s production focuses on the violent conflicts at the core of Otello’s story. Boris Kudlicka’s semi-abstract sets and Kaspar Glarner’s costumes mirror the contrasting innocence of Desdemona and malevolence of Iago. Warner sensitively examines the relationships between Moors, Turks and Westerners in Shakespeare’s time to highlight Otello feeling an outsider in his society, which contributes to his loss of confidence and gradual mental collapse.

Otello was Verdi’s penultimate opera. Although he had claimed to have retired after Aida in 1871, he couldn’t resist the opportunity to set a text by his favourite poet, Shakespeare. His publisher, Giulio Ricordi, suggested he use the writer and composer Arrigo Boito as his librettist. Verdi was delighted by Boito’s subtle and sensitive text, which drew from him some wonderful and varied music. Highlights include Otello and Desdemona’s beautiful Act I love duet, Iago’s nihilistic Act II ‘Credo’, the grandeur of the final scenes of Act III and the terrible intimacy of Act IV from Desdemona’s forebodings to Otello’s crime of passion. Otello had a triumphant premiere in 1887 at La Scala, Milan, and Verdi and Boito went on to collaborate on Verdi’s final operatic masterpiece, Falstaff.

Otello by Verdi, pon 09 gru 2019, od (2019/2019), W reżyserii Keith Warner,, Dyrygent Antonio Pappano, Royal Opera House, Londyn, Wielka Brytania

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Recenzje

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca