Organization

Sänger

Veronika Lee

Nohad Becker

Lilith

Lorin Wey

Adam

Frank Dolphin Wong

Lucifer

Seung-Koo Lim

Engel A

Caio Monteiro

Engel B

Enrico Wenzel

Engel C

Christin Enke-Mollnar

Chor der drei Frauen

Franziska Hösli

Orsolya Ercsényi

Dirigat

Gregor Rot

Regie

Wolfgang Nägele

Bühnenbild

Stefan Mayer

Kostümbild

Irina Spreckelmeyer

Orakel 1

Orakel 2

Orakel 3

Theater Bielefeld

Deutsch

Paradise Reloaded

Bielefeld

Deutschland

Stadttheater

Paradise Reloaded Eötvös

Public

Genehmigt

Oper in 12 Bildern / Text von Albert Ostermaier / Eingerichtet von Mari Mezei und Peter Eötvös / In deutscher Sprache mit ÜbertitelnIn der Schöpfung ist der ...

The fallen angel Lucifer believes that there is a worm in God's creation. Lilith, Adam's first wife, shares a similar view. She was cast out of paradise because she rebelled against Adam's claim to power - after all, she had been created from clay by God to be his equal. But Adam was not alone for long, a new companion was formed from his rib: the more docile Eve. Driven by Lilith, Lucifer realizes that his only chance of getting even with God lies in manipulating Adam: On a journey through time, Lucifer shows the prehistoric people the future of their descendants. Wouldn't it be better if there were no more human beings?

Contrasting characters, a journey from prehistoric times to the future, from paradise to all too human hells - Peter Eötvös' colorful and expressive music makes this story shine in all its diversity. The Hungarian composer had already dealt with the themes of Genesis in his opera The Tragedy of the Devil . While there the devil Lucifer was the focus of the action, in Paradise Reloaded (Lilith) , which premiered in 2013, Eötvös focuses on the dazzling figure of the first woman who, although stamped as a demon, ultimately even puts the devil in his place. From which do you think humanity descends, from the sacrificial Eve or from the self-determined Lilith?

English

Paradise Reloaded by Eötvös, Ab (2020/2020), Unter der Regie von Wolfgang Nägele,, Dirigat Gregor Rot, Stadttheater, Bielefeld, Deutschland

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