Name: Paradisi gloria (Ohne Publikum)
Start: 2021-07-02T00:00:00.000Z
End: 2021-07-02T00:00:00.000Z
Location: Funkhaus Berlin

Organization

Direzione d'orchestra

Henry Raudales

Cantante

Baritono

Sean Michael Plumb

Tenore

Dean Power

Orchestra

Munich Radio Orchestra

Münchner Rundfunkorchester

Paradisi gloria (Ohne Publikum)

Berlino

Germania

Funkhaus Berlin

Paradisi gloria (Ohne Publikum): Concert Various

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Controtenore

Soprano

Basso

Mezzosoprano

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

Aldo Clementi (1925-2011) was a student of Petrassi and Stockhausen. In his "Halleluja" from 1982, a venerable chorale shines through a dense, avant-garde network of sounds. Alfredo Casella (1883–1947) set verses of hope from the Old Testament to music in his 1942 “Tre canti sacri” when, marked by illness, he turned to religion and sacred music. In “Requies” from 1984, according to Luciano Berio (1925–2003), a melody “runs on incessantly, but is interrupted by flashbacks and digressions around a mobile and distant center”, admittedly not necessarily recognizable to the listener. The "Quattro inni sacri" from 1942 are among the main works of Goffredo Petrassi (1904-2003).

English

Aldo Clementi (1925–2011) war Schüler von Petrassi und Stockhausen. In seinem „Halleluja“ von 1982 leuchtet altehrwürdiger Choral durch ein dichtes, avantgardistisches Klanggeflecht. Verse der Hoffnung aus dem Alten Testament vertonte Alfredo Casella (1883–1947) in den „Tre canti sacri“ von 1942, als er sich von Krankheit gezeichnet hin zu Religion und geistlicher Musik wandte. In „Requies“ von 1984, so Luciano Berio (1925–2003), läuft eine Melodie „unaufhörlich ab, wird aber durch Rückblenden und Abschweifungen rund um einen mobilen und fernen Mittelpunkt unterbrochen“, der freilich für den Zuhörer nicht unbedingt erkennbar ist. Die „Quattro inni sacri“ von 1942 gehören zu den Hauptwerken von Goffredo Petrassi (1904–2003).

Deutsch

Paradisi gloria (Ohne Publikum) by Various, Da (2021/2021), Direttore d'orchestra Henry Raudales, Funkhaus Berlin, Berlino, Germania

Crediti di rappresentazione (Cast e team di produzione )

Cast

Ensemble

Programma, informazioni e sinossi

Foto

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