Organization

Dyrygent

Marco Angius

Reżyseria światła

Guy Simard

Śpiewak

Baryton

Phillip Addis

Pelléas

Bas - baryton

Michael Bachtadze

Golaud

Vincent Le Texier

Arkel

Mezzosopran

Enkelejda Shkoza

Geneviève

Głos dziecięcy

Silvia Frigato

Yniold

Andrea Pellegrini

Un berger

Sopran

Karen Vourc'h

Mélisande

Roberto Lorenzi

Un Médecin

Przygotowanie chóru

Massimo Fiocchi Malaspina

Reżyseria

Barbe & Doucet

Scenografia

Kostiumy

Fondazione Teatri di Piacenza

Teatro Comunale di Modena

Others

Coro del Teatro Regio di Parma

Orchestra

Orchestra dell'Emilia Romagna Arturo Toscanini (OERAT)

Teatro Regio di Parma

Maestro collaboratore

Linda Piana

Pelléas et Mélisande -  (Peleas i Melizanda)

Piacenza

Włochy

Modena

Pelléas et Mélisande Debussy

Private

Public

Peleas i Melizanda

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Kontratenor

Tenor

Alto

Continuo

Silent

Spoken

The only musical drama completed by Claude Debussy, performed in 1902, Pelléas and Mélisandemarked the opening of the new century and inaugurated, with a profound change in style and language, the opera house of the twentieth century. In order to arrive at such a new and revolutionary model of work, the author had to work on it for ten years, starting from his first encounter with the prose drama of Maurice Maeterlinck, standard-bearer of literary symbolism. Rarely represented, the opera is seen in Modena as a production born at the Teatro Regio di Parma and aired for Rai Cultura on Rai 5. Direction, sets and costumes are signed by the Franco-Canadian creative team Barbe & Doucet who conceive an installation circular, inspired by late nineteenth-century Spiritism, in which the characters are immersed in limbo, between natural, wooded and aquatic scenic elements, marbles that evoke monumental cemeteries, self-propelled islands, panels and backdrops in continuous movement. A reality straddling different worlds, from which it does not seem possible to escape, where each element has a symbolic meaning. The musical part of the show is entrusted to Marco Angius, international reference director for the contemporary musical repertoire.

English

Unico dramma musicale portato a compimento da Claude Debussy, rappresentato nel 1902, Pelléas e Mélisande ha segnato l’apertura del nuovo secolo e inaugurava, con un profondo mutamento di stile e di linguaggio, il teatro lirico del Novecento. Per poter pervenire a un modello d’opera così nuovo e rivoluzionario, l’autore dovette lavorarvi per ben dieci anni, a partire dal suo primo incontro col dramma in prosa di Maurice Maeterlinck, alfiere del simbolismo letterario. Raramente rappresentata, l’opera si vede a Modena una produzione nata al Teatro Regio di Parma e andata in onda per Rai Cultura su Rai 5. Regia, scene e i costumi sono firmate dal del team creativo franco-canadese Barbe & Doucet che concepiscono un allestimento circolare, che si ispira allo Spiritismo tardo ottocentesco, in cui i personaggi sono immersi in un limbo, tra elementi scenici naturali, boschivi e acquatici, marmi che evocano cimiteri monumentali, isole semoventi, pannelli e fondali in continuo movimento. Una realtà a cavallo tra diversi mondi, da cui non sembra esser possibile sfuggire, dove ciascun elemento ha un significato simbolico. La parte musicale dello spettacolo è affidata a Marco Angius, direttore di riferimento internazionale per il repertorio musicale contemporaneo.

italiano

Peleas i Melizanda by Debussy, pt 20 sty 2023, od (2023/2023), W reżyserii Barbe & Doucet,, Dyrygent Marco Angius

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca