Name: Pelléas et Mélisande
Start: 2012-02-28T00:00:00.000Z
End: 2012-03-16T00:00:00.000Z
Location: Opéra Bastille

Admin

Organization

Śpiewak

Baryton

Stéphane Degout

Pelléas

Bas - baryton

Vincent Le Texier

Golaud

Franz-Josef Selig

Arkel

Jérôme Varnier

Un Médecin

Sopran

Elena Tsallagova

Mélisande

Mezzosopran

Anne Sofie von Otter

Geneviève

Dyrygent

Philippe Jordan

Reżyseria

Robert Wilson

Giuseppe Frigeni

Kostiumy

Frida Parmeggiani

Scenografia

Reżyseria światła

Heinrich Brunke

Dramaturgia

Holm Keller

Przygotowanie chóru

Alessandro Di Stefano

Głos dziecięcy

Julie Mathevet

Yniold

Opéra National de Paris

Others

Chœur de l’Opéra national de Paris

Orchestra

Paris Opera Orchestra

francuski

Pelléas et Mélisande -  (Peleas i Melizanda)

Paryż

Francja

Opéra Bastille

Debussy's masterpiece is brought to life with Philippe Jordan's music direction and Robert Wilson's fairytale-like sets and starring Stéphane Degout, Elena Tsallagova, Vincent Le Texier, and Anne Sofie von Otter.

Before discovering Maeterlinck's play, Debussy already had visions of his future opera: "Music begins when words are powerless to express; music is perfect for the inexpressible; I would like it to seem to come out of the shadows and, at times, to go back, always discreet." Maëterlinck's characters gave Debussy the inspiration he needed to make his dreams a reality…

A fateful enchantment holds sway over the castle of Allemonde. When Prince Golaud (Vincent le Texier), grandson of the aging King of Allemonde, meets the young and beautiful Mélisande (Elena Tsallagova) – a mysterious being with long hair – he knows nothing about her, but soon he marries her. Soon after Golaud brings her to his home, they find themselves unable to leave his family’s castle, a place racked by desolation and decay. A few months later, Golaud tells his dear half-brother Pelléas (Stéphane Degout) about his wedding. But Pelléas himself seems to be falling in love with the same young woman...

The Paris Opéra de la Bastille celebrated the 150th birthday of Claude Debussy with the "miraculous" (Le Figaro) staging of "Pelléas et Mélisande" by avant-garde director Robert Wilson with a star cast. Stéphane Degout, Elena Tsallagova and Vincent Le Texier delighted audiences and press alike; but the smaller roles were also cast by top-class actors who were worthy of this special occasion: Anne Sofie von Otter and Franz-Josef Selig. "The singers have integrated Wilson's language of gesture and lighting to a degree unmatched by previous casts" (Le Figaro).

The production by Robert Wilson, a co-production of the Opéra national de Paris and the Salzburg Festival, is considered "a masterpiece for its restraint, for the stylization of the characters and the distribution of light, which evokes a genuine aesthetic feeling at every moment, with every movement". (l'Humanite). She creates a panorama of sober, austere images, dominated by subtle lighting and shifting color planes, in which the characters move delicately and attract our attention through minimalist gestures that bring new layers of meaning to this opera. Wilson produced it alongside his creative team: Heinrich Brunke (lighting design) and Frida Parmeggiani (costumes), both of whom also worked with him on his legendary, groundbreaking production of "

Philippe Jordan, the young music director of the Opéra national de Paris, transparently reads Debussy's haunting music, a rich tapestry of shimmering, iridescent sounds. Debussy was based on his work - his only completed opera! - on a Symbolist play by Nobel Prize-winning playwright Maurice Maeterlinck about a fateful love that leads to uncontrollable jealousy and murderous revenge.

When it premiered at the Opéra Comique de Paris in 1902, "Pelléas et Mélisande" caused a major scandal, as the conservative, conformist opera audience of the time personally grappled with the radical modernity of the work. It is common to think of Debussy as the French answer to Wagner, who also shocked audiences with the modernity of his musical idiom and also used prose-like texts for some of his works. Despite the scandal, "Pelléas" was an enormous success, and the first performance at the Opéra Comique was followed by over a hundred performances.

Pelléas et Mélisande Debussy

Public

Peleas i Melizanda

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Kontratenor

Tenor

Alto

Continuo

Silent

Spoken

Peleas i Melizanda by Debussy, czw 08 mar 2012, od (2012/2012), W reżyserii Robert Wilson, Giuseppe Frigeni,, Dyrygent Philippe Jordan, Opéra Bastille, Paryż, Francja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca