Organization

Boston Early Music Festival

Singer

Mezzo-soprano

Lucile Richardot

Conductor

Sébastien Daucé

Orchestra

Ensemble Correspondances

Perpetual Night: 17th-century Ayres and Songs

Performances

Perpetual Night: 17th-century Ayres and Songs: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Soprano

Contralto

Tenor

Bass

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Sébastien Daucé and Ensemble Correspondances are renowned for recordings and performances that merge passion and elegance. For this virtual event, they are joined by the hauntingly expressive voice of Lucile Richardot in a showcase of English songs from the politically turbulent 17th century. Indulge in a fascinating exploration of England’s musical evolution, as continental influences and social upheaval shaped the period between Dowland and Purcell.

In their journey between these two pillars, the ensemble discovers an incredible musical world in which political and religious instability have created space for experimentation and novelty. The presence of French artists and the return of Charles II from exile colored English musical taste with the sounds of Grand Siècle France—the very sounds Ensemble Correspondances is best known for communicating. We witness the appearance of the first English recitatives and the birth of the masque, as the stage is cleared for the advent of English opera.

This program is presented in partnership with the Morgan Library & Museum, New York.

English

Perpetual Night: 17th-century Ayres and Songs by Various, Dirigentas Sébastien Daucé

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