Name: Peter Eötvös
Start: 2019-05-03T00:00:00.000Z
End: 2019-05-03T00:00:00.000Z
Location: Herkulessaal

Organization

Conductor

Peter Eötvös

Singer

Mezzo-soprano

Iris Vermillion

Tenor

Eric Stokloßa

Others

Chor des Bayerischen Rundfunks

Orchestra

Symphonieorchester des Bayerischen Rundfunks

Munich

Germany

Herkulessaal

Peter Eötvös: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Contralto

Baritone

Countertenor

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Maybe music cannot change the world, but it can certainly hold up a mirror to its absurdities. And this is precisely what the music of Peter Eötvös does! Oratorium balbulum – Halleluja, to a libretto by the Hungarian writer Péter Esterházy, is a merry but wily stocktaking of our present day. At its centre is a stuttering prophet who, faced with the state of our world, simply cannot manage to make any predictions about the future. The gliding of the eagle in the skies was composed in 2016 on a commission from the Basque national orchestra, Euskadiko Orkestra. Eötvös took his inspiration from the image of an eagle soaring high in the sky, a figure from a Basque song that the composer considers the ne plus ultra of complete liberty. Alle vittime senza nome (To the nameless victims) was prompted by shocking pictures of the refugee tragedy. It is a three-movement orchestral piece recalling the numberless human beings who have perished in the Mediterranean on the way to a better life.

English

Peter Eötvös by Various, пет 03 май 2019, от (2019/2019), диригент Peter Eötvös, Herkulessaal, Munich, Germany

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