Name: Peter Grimes
Start: 2021-04-19T00:00:00.000Z
End: 2021-05-10T00:00:00.000Z
Location: Teatro Real

Organization

Barnaby Rea

Hobson

Tenor

Allan Clayton

Peter Grimes

Sopran

Maria Bengtsson

Ellen Orford

Kontralt

Catheryn Wyn-Rogers

Auntie

Rocío Pérez

Niece I

Natalia Labourdette

Niece II

Baryton

Christopher Purves

Balstrode

Mezzosopran

Rosie Aldridge

Mrs. (Nabob) Sedley

Clive Bayley

Swallow

Jacques Imbrailo

Ned Keene

John Graham-Hall

Bob Boles

James Gilchrist

Rev. Horace Adams

Reżyseria

Deborah Warner

Dyrygent

Ivor Bolton

Reżyseria światła

Peter Mumford

Scenografia

Michael Levine

Wideo

Will Duke

Choreografia

Kim Brandstrup

Przygotowanie chóru

Andrés Máspero

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

angielski

Madryt

Hiszpania

Teatro Real

Sala Principal

Public

hiszpański

Approved

On Saint Cecilia's Day 1913, Benjamin Britten was born, who would be one of the most important and prolific operatives of the 20th century. Led by Luis Gago, this course proposes a journey through his creative talent and his attractive personality that gave rise to a key operatic catalog for the History of the genre. In particular, the course will delve into the process of creating Peter Grimes, the composer's next scheduled opera at the Teatro Real.

Understanding Benjamin Britten | Training | T.20 / 21

If there exists a before and after in British opera, then this is measured from the opening of Peter Grimes at Sadler’s Wells in London in June 1945. Greeted as the most important English opera since the time(s) of Henry Purcell, the success of the work was decisive in the evolution of Britten’s operatic talent and consolidating  his as the composer who was to become an undisputed reference point of the 20th century. Based on a poem published in 1810 with more ethnographic than dramatic focus, Britten constructed a sombre parable about the conflict between the masses and the individual. The maritime atmosphere, the crudity of people’s lives and passions, and the complex, impenetrable personality of the protagonist come together in a tragedy which ferments and explodes in the din of silence and hearsay. A tragedy which is immediately forgotten gives way to the self-righteousness of everyday lives and the movement of the sea itself. After the recent success of Billy Budd, opera and theatre director Deborah Warner returns to the Teatro Real to premiere this coproduction between the Royal Opera House Covent Garden of London, the Opéra National de Paris (or the Paris Opera) and the Teatro dell'Opera of Rome.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble