Name: Pigmalion
Start: 2017-06-15T00:00:00.000Z
End: 2017-06-20T00:00:00.000Z
Location: City Recital Hall

Admin

Organization

Śpiewak

Sopran

Taryn Fiebi

La Statue

Lauren Zolezzi

L'Amour

Tenor

Samuel Boden

Pygmalion

Morgan Balfour

Céphise

Dyrygent

Erin Helyard

Reżyseria

Crystal Manich

Scenografia

Alicia Clements

Kostiumy

Melanie Liertz

Reżyseria światła

Matthew Marshall

Bas - baryton

Richard Anderson

Anacréon

Agathocle

Opera Australia

Pinchgut Opera

francuski

Pigmalion

Sydney

Australia

City Recital Hall

Public

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Mezzosopran

Kontratenor

Baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Pigmalion Rameau

Pinchgut Opera was set up by accident. One day in early 2000, Alison Johnston, Anna Cerneaz, Erin Helyard, Anna McDonald and Liz and Ken Nielsen were talking, over coffee, about music. This was not unusual. We often did that. Someone wondered if there was a different way of doing opera. A way of putting the music first and having the other elements -- sets, costumes, production -- support the music but not get in its way. By the second cup of coffee we had agreed to set up an opera company.

City Recital Hall Angel Place had recently opened and we thought it would be perfect -- a fairly small space, where the audience would feel close to the musicians, and with a lovely acoustic for voice. Antony Walker, the already very well-known conductor, came on board, so we reckoned we had all of the artistic and business skills needed to produce and sell an opera.

We had no strategic plan, just a rough budget for the first production. No government grants, just confidence that we would find enough people who wanted to help us.
It was not intended that we would concentrate on Baroque opera. We wanted to give audiences the chance to hear Australia's young singers and musicians, many of whom live overseas but are happy to return here to perform. We started with Handel's Semele in 2002 -- because we had some musicians who were very experienced in playing on period instruments in Baroque style.

That was followed by Purcell's The Fairy Queen (2003), Monteverdi's L'Orfeo (2004), Rameau's Dardanus (2005), Mozart's Idomeneo (2006), Vivaldi's Juditha Triumphans (2007), Charpentier's David et Jonathas (2008), Cavalli's L'Ormindo (2009), Haydn's L'anima del filosofo (2010) and Vivaldi's Griselda (2011). All our productions have been broadcast by ABC Classic FM and all but one recorded for CD -- originally by ABC Classics but recently by our own label Pinchgut LIVE.

More operas were composed before 1750 than after. Except perhaps for a few from Handel, very few are performed these days. We think there is a huge treasure trove of marvellous works that Australian audiences have not seen. Cavalli, Vivaldi, Monteverdi, Rameau and Charpentier are almost unheard of, as opera composers, in this country. Other companies do the more familiar operas excellently; we want to help audiences discover something new. Perhaps in the future we will take the Pinchgut approach to works from the 20th or 21st century.

Our aims have not changed much since the beginning. We've been joined along the way by Andrew Johnston, John Pitman and Genevieve Lang. We know that artistically we are working in a very fertile area and achieving very worthwhile things. We continue to be extremely grateful to our audience who buy tickets, to all those who very generously donate both time and money, and to our sponsors who have helped us out enormously.

If you believe in what we are doing and are able to help, please get in touch. We call our supporters 'Heroes of Pinchgut' because without them we could not have got this far.

Pigmalion by Rameau, Anacréon by Rameau, czw 15 cze 2017, od (2017/2017), W reżyserii Crystal Manich,, Dyrygent Erin Helyard, City Recital Hall, Sydney, Australia

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Współproducent

Program, informacje i streszczenie

Recenzje

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca