Name: Pikovaya Dama
Start: 2016-08-07T00:00:00.000Z
End: 2016-12-16T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Dyrygent

Pavel Smelkov

Reżyseria

Yuri Temirkanov

Scenografia

Igor Ivanov

Choreografia

Oleg Vinogradov

Przygotowanie chóru

Larisa Shveikovskaya

Anna Pipia

Pianista

Marina Repina

Reżyseria światła

Alexander Naumov

Assistant Stage Director

Anna Shishkina

Śpiewak

Tenor

Mikhaïl Vekua

Herman

Sopran

Irina Churilova

Liza

Kontralt

Yulia Matochkina

Paulina

Mezzosopran

Larissa Diadkova

Hrabina

Natalya Zakharchenko

Guwernantka

Alina Mikhailik

Prilepa

Baryton

Dmitry Nelasov

Hrabia Tomski

Alexei Kostyuk

Czekaliński

Yevgeny Plekhanov

Suryn

Sergei Pleshivtsev

Narumow

Ilya Astafurov

Czaplicki

Vsevolod Marilov

Mistrz ceremonii

Elena Tretyakova

Masza

Maxim Aksenov

Vyacheslav Vasilyev

Elena Stikhina

Laura Bustamante

Aleksandr Diyanov

Alexander Gergalov

Książę Jelecki

Alena Diyanova

Primorsky Stage of the Mariinsky Theatre

rosyjski

Pikovaya Dama -  (Dama pikowa)

Władywostok

Rosja

Pikovaya Dama

Public

Dama pikowa

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

In the spring of 1890 The Queen of Spades, a mystic short story by Alexander Pushkin, inspired Pyotr Tchaikovsky to compose an opera in which Pushkin’s subject would be treated very originally. The story of a consuming passion for gambling was transformed into a dramatic opera about an unearthly love. Pushkin’s heroine named Liza, an old countess’s impoverished young ward, turned into the countess’ grand-daughter engaged to Prince Yeletsky, and German’s behavior was based on his love for the young woman whose social and wealth statuses precluded him from marrying her. Those were circumstances which allowed Tchaikovsky to compose the operatic music astounding the public with its depth and insight.

When Yuri Temirkanov as a director and conductor was going to stage The Queen of Spades at the Kirov Theatre (presently the Mariinsky Theatre) in 1984, Igor Ivanov as a designer was allotted a task to recreate an old Saint Petersburg atmosphere in details. “It should be luxurious because Tchaikovsky is a great dramatist. He sought to show that German, that no one in a shabby surtout, who got into society and finally went mad because he longed to live the high life,” said Temirkanov.

The features of Saint Petersburg in the Catherine Age were thoroughly reconstructed in Temirkanov’s staging, whether they were statues in the Summer Garden where German first met the countess or a costume ball in a grandee’s house or the Winter Canal in which Liza drowned herself out of despair. All costumes and furnishings in a gambling house, quarters or rooms were in accordance with their prototypes in the past. Even military uniforms were designed in keeping with those of certain regiments which once existed in reality.

The staging turned out a great success. The Queen of Spades staged by Yuri Temirkanov became a classic example of opera direction and was accorded international recognition and long happy life on the stage.

The opera staging was shifted from Saint Petersburg to Vladivostok in December 2015. At the premiere the opera was performed by the Mariinsky Theatre lead soloist under the direction of Valery Gergiev. Since then the Far East audience has heard Liza’s and German’s arias sung by legendary singers such as Larisa Diadkova and Vladimir Galuzin and seen young stars such as Elena Stikhina, Yulia Matochkina, Alexei Markov, and Roman Burdenko. Nowadays The Queen of Spades continues to host guest singers and open up opportunities for local soloists under the guidance of Pavel Smelkov, a Music Director and Principal Conductor of the Primorsky Stage of the Mariinsky Theatre.

Natalia Rogudeeva

English

Dama pikowa by Tchaikovsky, P. I., czw 01 wrz 2016, od (2016/2016), W reżyserii Yuri Temirkanov,, Dyrygent Pavel Smelkov, Primorsky Stage of the Mariinsky Theatre, Władywostok, Rosja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

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Daty i miejsca występów

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