Name: Pikovaya Dama
Start: 2010-06-19T00:00:00.000Z
End: 2010-07-04T00:00:00.000Z
Location: Gran Teatre del Liceu

Organization

Śpiewak

Tenor

Ben Heppner

Herman

Sopran

Emily Magee

Liza

Baryton

Lado Ataneli

Hrabia Tomski

Ludovic Tézier

Książę Jelecki

Kontralt

Elena Zaremba

Paulina

Mezzosopran

Ewa Podleś

Hrabina

Mikhaïl Vekua

Czaplicki

Francisco Vas

Czekaliński

Alberto Feria

Suryn

Kurt Gysen

Narumow

Stefania Toczyska

Guwernantka

Claudia Schneider

Masza

Jon Plazaola

Mistrz ceremonii

Michelle Marie Cook

Prilepa

Dyrygent

Michael Boder

Reżyseria

Gilbert Deflo

Scenografia

William Orlandi

Kostiumy

Reżyseria światła

Bruno Boyer

Choreografia

Nadejda Loujine

Gran Teatre del Liceu

Others

Cor del Gran Teatre del Liceu

Coro Intermezzo

Orchestra

Symphony Orchestra of the Gran Teatre del Liceu

Pikovaya Dama -  (Dama pikowa)

Barcelona

Hiszpania

Sala Miralls

Discover the version of Tchaikovsky's The Queen of Spades directed by Gilbert Deflo at the Liceu de Barcelona in 2010 with Misha Didyk, Ludovic Tézier and Ewa Podles. Michael Boder conducts the Symphony Orchestra of the Gran Teatre del Liceu.

The Queen of Spades is an opera in three acts composed by Tchaikovsky in 1890, based on the libretto by Modest Tchaikovsky, the composer's brother. The opera is very loosely inspired by Pushkin's short story of the same name. The story unfolds in Saint Petersburg at the end of the 18th century. Hermann is no longer Pushkin's cynical and grotesque character, but a great romantic hero madly in love with Lisa – and with gambling... The Tchaikovsky brothers were criticised for betraying the spirit of Pushkin's work. They did, however, create a tremendous, surprisingly complex hero.

Gilbert Deflo's interpretation of the piece has been widely praised. The decor and costumes accurately recreate an 18th-century atmosphere. Ostentatious luxury emanates from the bedroom, the games room and the ballroom, with its many chandeliers and colonnades. This Catalan production's vocal distribution includes the tenor Misha Didyk in the role of Hermann – he plays a cold and cynical character, similar to Pushkin's original Hermann. In the role of Lisa, Emily Magee employs her soprano voice with ease. The chorus and dancers play a crucial part in the staging and contribute to a spectacular display of costumes.

Pikovaya Dama

Public

Dama pikowa

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Dama pikowa by Tchaikovsky, P. I., wt 22 cze 2010, od (2010/2010), W reżyserii Gilbert Deflo,, Dyrygent Michael Boder, Gran Teatre del Liceu, Barcelona, Hiszpania

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca