Name: Plavi Ciklus Mozart Łukaszewski Penderecki
Start: 2023-12-01T00:00:00.000Z
End: 2023-12-01T00:00:00.000Z
Location: Vatroslav Lisinski Concert Hall

Organization

Conductor

Dawid Runtz

Violinist

Dunja Bontek

Violin (Solo)

Orchestra

Zagreb Philharmonic Orchestra

Plavi Ciklus Mozart / Łukaszewski / Penderecki

Zagreb

Croatia

Vatroslav Lisinski Concert Hall

Main Hall

Plavi Ciklus Mozart / Łukaszewski / Penderecki: Violin Concerto No. 4 in D Major, K. 218 Mozart (+2 More)

Public

Private

Violin Concerto No. 4 in D major, K. 218

Adaggietto for orchestra

Symphony No. 2

Approved

Godine 1775. Wolfgang Amadeus Mozart skladao je Koncert za violinu i orkestar u D-duru, br. 4 i isprva ga posvetio samom sebi. No nakon obrade i dodavanja određenih virtuoznih detalja, koncert je namijenio Antoniu Brunettiju, njegovom nasljedniku u salzburškom dvorskom orkestru. I danas ga smatramo tehnički najzahtjevnijim od skladateljevih violinskih koncerata. Orkestar koji prati solista je u uobičajenom sastavu za razdoblje klasike, donoseći nam motive koji se u solo dionici ponavljaju na virtuozniji način. Prvi stavak ima podnaslov Vojnički zbor karaktera prve teme. Drugi stavak modulira u A-dur i lirskoga je karaktera. Treći stavak nazvan je Rondeau i ponovo se vraća D-duru – tipičan, nestašan i zaigran Mozart. Original rukopisa možemo pronaći u Krakowu.

 

Paweł Łukaszewski je Adaggietto za orkestar skladao 2009. godine. Skladba je kontemplativnog karaktera, bogata divnim harmonijama, daje priliku gudačkom korpusu orkestra da pokaže svoje umijeće zajedničkog muziciranja. Ponekad, tijekom skladbe, mirni karakter je ometen markantnim motivima, no skladba završava u prekrasnom smiraju.

 

Maestro Krzysztof Penderecki svoju je Drugu simfoniju skladao u zimu 1979. i 1980. godine. Nosi podnaslov Božićna jer nekoliko puta tijekom djela možemo naslutiti motiv poznate božićne skladbe Tiha noć. Praizvedena je u New Yorku 1980. godine. Sastav orkestra je vrlo velik, uključujući i cjelokupnu udaraljkašku sekciju obogaćenu celestom i glockenspielom što doprinosi svečanom i veličanstvenom ugođaju. Penderecki je dao potpuno različit pristup klasičnoj glazbi na koju smo navikli, stoga otvorite srce i maštu i prepustite se glazbi.

hrvatski

In 1775, Wolfgang Amadeus Mozart composed the Concerto for violin and orchestra in D major, no. 4 and at first dedicated it to himself. But after processing and adding certain virtuosic details, he intended the concerto for Antonio Brunetti, his successor in the Salzburg court orchestra. Even today, we consider it the most technically demanding of the composer's violin concertos. The orchestra that accompanies the soloist is in the usual composition for the classical period, bringing us motifs that are repeated in a more virtuosic way in the solo section. The first movement has the subtitle Military Choir of the character of the first theme. The second movement modulates to A major and has a lyrical character. The third movement is called Rondeauand returns to D major again - a typical, mischievous and playful Mozart. The original manuscript can be found in Krakow.

 

Paweł Łukaszewski composed Adaggietto for orchestra  in 2009. The composition is of a contemplative character, rich in wonderful harmonies, and gives the string corps of the orchestra an opportunity to show their skill in joint musicianship. Sometimes, during the composition, the calm character is disturbed by striking motifs, but the composition ends in a beautiful calm.

 

Maestro Krzysztof Penderecki composed  his  Second Symphony in the winter of 1979 and 1980. It is subtitled Christmas because several times during the piece we can glimpse the motif of the well-known Christmas composition Silent Night. It was premiered in New York in 1980. The composition of the orchestra is very large, including the entire percussion section enriched with celesta and glockenspiel , which contributes to the solemn and majestic atmosphere. Penderecki gave a completely different approach to the classical music that we are used to, so open your heart and imagination and let yourself go to the music.

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