Name: La Traviata
Start: 2023-09-23T00:00:00.000Z
End: 2024-06-30T00:00:00.000Z
Location: Ekaterinburg Opera

Organization

Conductor

Aleksei Liudmilin

Singer

Tenor

Pavel Mezhov

Gaston

Bass

Mikhail Morozov

Commissioner

Mezzo-soprano

Svetlana Starkova

Annina

Olesya Nemtseva

Mikhail Korobeinikov

The doctor Grenvil

Vladislav Troshin

Vitaly Petrov

Vladimir Voroshnin

Baritone

Valery Gordeev

The Baron Douphol

Andrey Reshetnikov

Aleksandr Kulga

The Marquis of Obigny

Soprano

Svetlana Pastukhova

Flora Bervoix

Alexei Mironov

George Germont

Yuri Devin

Dmitry Starodubov

Vladimir Cheberyak

Alfred Germont

Evgeny Kryukov

Sergey Osovin

Olga Vutiras

Violetta Valery

Natalia Mokeeva

Choreographer

Galina Kaloshina

Chorus master

Elvira Gaifullina

Costume designer

Natalia Stepanova

Set designer

Ravil Akhmetzyanov

Stage director

Alexei Stepanuyk

Pavel Klinichev

Konstantin Chudovsky

Alexey Bogorad

Ilgam Valiev

Maxim Kozlov

Oleg Budaratskiy

Alexey Semenischev

Nadezhda Ryzhenkova

Ksenia Kovalevskaya

Artem Abashev

Polina Kumylganova

Vera Pozolotina

Elena Biryuzova

Saule Antysheva

Vladislav Popov

Evgeny Bovykin

Ilia Bogomolov

Ural Opera Ballet

Orchestra

Ural Opera Ballet Orchestra

Others

Ural Opera Chorus

Iodáilis

La Traviata -  (La traviata)

Ekaterinburg

Russia

Ekaterinburg Opera

La traviata Verdi

Public

La traviata

Rúisis

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

The premiere of La Traviata in 1853 was marked by a scandal: the heroine is a lady of the half world, the place and time of action is not a distant country in a legendary era, but contemporary Paris to the composer. This could not be the case in 19th-century opera. The public perceived the opera as a slap in the face of society; for the second production, Verdi was forced to change the coordinates of the action and dress the characters in historical dresses. A century and a half later, the opera house can hardly be imagined without La Traviata.

The plot of the opera is borrowed from the novel and play by Alexandre Dumas son. The prototype of the heroine was Marie Duplessis, the famous Parisian courtesan: for a short time she was the writer's mistress and died of tuberculosis at the age of 23. In Paris, impressed by the play he saw, Verdi conceived La Traviata, which at first he wanted to call Love and Death.

In the Yekaterinburg performance, director Alexei Stepanyuk unfolded the action in conditional ballrooms and living rooms, not abusing the passion for everyday details, but emphasizing the timeless emotional nature of the music - in the expectation that what is happening will not look like just a private incident of the past, but will humanly offend those in the room.

English

Премьера «Травиаты» в 1853 году ознаменовалась скандалом: героиня — дама полусвета, место и время действия — не далекая страна в легендарную эпоху, а современный композитору Париж. В опере XIX столетия так не могло быть. Публика восприняла оперу как пощечину обществу; для второй постановки Верди был вынужден изменить координаты действия и переодеть героев в исторические платья. Спустя полтора века оперный театр едва можно представить без «Травиаты».

Сюжет оперы заимствован из романа и пьесы Александра Дюма-сына. Прототипом героини стала Мари Дюплесси, знаменитая парижская куртизанка: недолгое время она была любовницей писателя и умерла от туберкулеза в 23 года. В Париже под впечатлением от увиденной пьесы Верди и задумал «Травиату», которую поначалу хотел назвать «Любовь и смерть».

В екатеринбургском спектакле режиссер Алексей Степанюк развернул действие в условных бальных залах и гостиных, не злоупотребляя страстью к бытовым деталями, но подчеркивая вневременную эмоциональную природу музыки — в расчете на то, что происходящее не будет выглядеть лишь частным происшествием прошлого, но станет по-человечески задевать тех, кто находится в зале.

русский

La traviata by Verdi, Dom 30 Méit 2024, Ó (2023/2024), Faoi stiúir Alexei Stepanuyk,, Seoltóir Aleksei Liudmilin, Pavel Klinichev, Konstantin Chudovsky, Alexey Bogorad, Maxim Kozlov, Artem Abashev, Ekaterinburg Opera, Ekaterinburg, Russia

Creidmheasanna feidhmíochta (Foireann & Criú )

Criú

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid