Name: Quo Vadis
Start: 2023-04-06T00:00:00.000Z
End: 2023-05-21T00:00:00.000Z
Location: Nová scéna, Prague (New Stage)

Organization

Stage director

Martin Otava

Conductor

Jiří Petrdlík

Jiří Štrunc

Set designer

Daniel Dvořák

Dramaturge

Zbyněk Brabec

Choreographer

Jiří Pokorný

Chorus master

Jakub Zicha

Assistant Director

Michal Lieberzeit

Sound designer

Matouš Pilný

Stage Manager

Petra Tolašová

Tenor

Philippe Castagner

Emperor Nero

Soprano

Ivana Veberová

Poppea

Mezzo-soprano

Jana Foff Tetourová

Agrippina

Jana Piorecká

Baritone

Michal Bragagnolo

Marcus Vinicius

Tomáš Kořínek

Ivana Klimentova

Euniké

Radka Sehnoutková

Jan Kukal

Tigellinus

Jiří Brückler

Bass

Josef Kovačič

Apostle Peter

Jakub Hliněnský

Chilon

Martin Matoušek

Jevhen Shokalo

Lucius Sextues

Dalibor Tolaš

Herald

Martin Stránský

The voice of Jesus

Voice from the Underworld 1

Voice from the Underworld 2

Petra Šintáková

SPQR Moderator

Pavel Feiferlík

Andromachos

Roman Dušek

Ursus

Miroslav Bartoš

Herold's assistants

Slave

Andrea Frídová

Pregnant Roman girl

Singer

Vanda Šípová

Lygie

Eva Hartová

Jirí Kubík

Petronius

Richard Ševčik

Livius

J K Tyl Theatre

Orchestra

DJKT Opera Choir and Orchestra

Orchestr Opery Djkt

Others

DJKT Opera Choir

Ballet

Ballet DJKT

Kajetán - Children's Choir of the DJKT Opera

DĚTSKÝ SBOR DJKT

Quo Vadis

Prague

Czech Republic

Nová scéna, Prague (New Stage)

Quo Vadis Bodorová

Public

Approved

In the theatre season 2021/2022 the opera ensemble of DJKT in Pilsen will present a world premiere of Quo vadis by the Czech composer Sylvie Bodorová, which she had written directly for the Pilsen opera house. The libretto by Martin Otava follows an eponymous 1895 novel of the Polish romanticist author Henryk Sienkiewicz. The famous novel, which had been filmed several times, takes place in ancient Rome during the rule of Nero. It tells the story of the birth of Christianity and persecution of Christians by Nero. There is also a romantic plot.

Sylvie Bodorová belongs to our most remarkable female composers. She is the author of two biblical oratories – Jude Maccabeus (2002) and Moses (2008), as well as many symphonic, vocal, and chamber compositions. So far she had written one opera, the Legend of Catherine of Redern, who was premiered at the F. X. Šalda Theatre in Liberec on 19 December 2014. The staging raised well-deserved attention of the expert public and the audience in Liberec also warmly welcomed the opera.

English

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