Organization

Conductor

Paul Hillier

Singer

Ann-Christin Wesser-Ingels

Soloists

Hanne Marie le Fevre

Laura Lamph

Elenor Wiman

Luís Toscano

Jakob Skjoldborg

Asger Lynge Petersen

Mikkel Tuxen

ArsNova

Requiem

Skjern

Denmark

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Soprano

Baritone

Mezzo-soprano

Bass-baritone

Tenor

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

A timely Danish requiem
In 2013, the DR Symphony Orchestra and the DR Concert Choir, together with five soloists, premiered the Danish composer John Frandsen  's Requiem . The concert was a great success. The professional reviewers praised the work to the skies:

"John Frandsen's Requiem in memory of the victims on Utøya exceeded all expectations"
Søren Schauser, Berlingske

"The concert hall in flames of raw primal power"
Henrik Friis, Politiken

"A wickerwork of dimensions"
Peter Dürrfeld, Kristeligt Dagblad

And after the concert, a member of the audience wrote to the composer:
"Your work touched on aspects of this type of music that I have not experienced before, while at the same time confirming the tradition on which it was based and placed itself. The combination of the very different expressions in the work's individual components and the contexts that you clearly sensed and experienced made it a very integrated experience. I was greatly moved in various ways during the almost two hours of intense experience, from anguish and resentment to melancholy and emotion, and tears welled up on more than one occasion.”

English

Requiem by Frandsen, szo 26 márc 2022, -tól (2022/2022), Karmester Paul Hillier

Előadás kreditek (Szereplők & Stáb )

Öntvény

Program, névjegy és szinopszis

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek