Organization

Dyrygent

David Stern

Reżyseria

Michael McCarthy

Scenografia

Simon Banham

Reżyseria światła

Ace McCarron

Dramaturgia

Ulrike Schröder

Śpiewak

Kontratenor

Johannes Wollrab

Riccardo I

Filippo Mineccia

Oronte

Juliette Allen

Berengera

Florentina Soare

Philippus

Louis Roullier

Isacius

Raffaela Lintl

Formosa

Alexia Macbeth

Gelasius

Marco Angioloni

Murmilla

Theater Magdeburg

Opera Fuoco

Orchestra

Magdeburg Philharmonic

Riccardo Primo

Magdeburg

Niemcy

Riccardo Primo Händel

Public

Private

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Baryton

Sopran

Kontralt

Bas - baryton

Mezzosopran

Alto

Continuo

Głos dziecięcy

Silent

Spoken

1727, London: King George I is no more. His son automatically becomes George II, that year, his composer and friend Georg Friedrich Handel becomes English by decree.

Before the coronation, for which the Saxon composer will create his Hymns of the Coronation, Handel will offer one of the insignia ancestors of the new king, the favors of the stage. With Riccardo Primo, he will find a certain favor and will impose himself as composer of the Court.

A few years later, Georg Philip Telemann, then director of the prestigious Gänsmarktoper in Hamburg, adapted Riccardo Primo with additions of his own, including two comic roles.

For its third collaboration with the Telemann Zentrum and the Theater Magdeburg, Opera Fuoco is committed to the resurrection of this two-handed masterpiece. The argument against the backdrop of the Third Crusade, sees a Richard Coeur-de-Lion falling prey to the love and intrigues of the King of Cyprus Isacio.

This production will see an equal sharing of roles between the lyrical workshop of Opera Fuoco and the troupe of the Theater of Magdeburg, thus creating a synergy conducive to exchanges and a real partnership.

The collaboration with the Telemann Zentrum and The Theater Magdeburg will continue in 2020.

English

Riccardo Primo by Händel, sob 10 mar 2018, od (2018/2018), W reżyserii Michael McCarthy,, Dyrygent David Stern

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca