Admin

Organization

Singer

Tenor

Stefan Pop

The Duke of Mantua

Celso Albelo

Baritone

Alberto Gazale

Rigoletto

Soprano

Lara Lagni

Gilda

Desirée Rancatore

Bass

Abramo Rosalen

Sparafucile

Contralto

Anastasia Boldyreva

Maddalena

Mezzo-soprano

Laura Cherici

Giovanna

Nicolò Ceriani

The Count of Monterone

Tommaso Caramia

Abraham García González

Marullo

Rosolino Claudio Cardile

Matteo Borsa

Simone Marchesini

The Count of Ceprano

Aloisa Aisemberg

The Countess of Ceprano

Chiara Notarnicola

A page

Conductor

Matteo Beltrami

Stage director

Alessio Pizzech

Set designer

Davide Amadei

Costume designer

Carla Ricotti

Lighting designer

Claudio Schmid

Chorus master

Alberto Malazzi

Assistant Director

Valentina Brunetti

Choreographer

Isa Traversi

SHOOTING LIGHTS

Daniele Naldi

Teatro Comunale di Bologna

Bologna

Italy

GIUSEPPE VERDI RIGOLETTO Melodrama in three acts From the original subject "Le roi s'amuse" by Victor Hugo, Giuseppe Verdi elaborates the first opera of the so-called "popular trilogy" (together with Il Trovatore and La traviata) in which he affirms his dramatic genius of 1950s. The censorship at the time forbade the representation of a libertine king and the character - Francis I of France in Hugo - had to be replaced with an anonymous Duke of Mantua (recognizable perhaps in a Vincenzo I Gonzaga). But the real protagonist of the drama is Rigoletto, the court jester, a sad jester infused with a dramatic power that was unprecedented in the history of the Opera. Around him the passions of the other characters are stirred: the utopian love and then betrayed by his daughter Gilda, the arrogant and cynical Duke of Mantua, the voluptuous Magdalene, the double game of courtiers. A story destined to end in tragedy in the name of the "terrible" revenge hatched by Rigoletto to save the honor of his daughter. It will be he himself, in fact, to suffer the consequences. Direction Streaming Maurizio Tarantino Editing and live audio shooting Roberto Ranzi, Emiliano Goso The streaming was made possible thanks to the contribution of ALFASIGMA Presenting partner Automobili Lamborghini Production Teatro Comunale di Bologna 19 | March 30, 2019 DIRECTOR Matteo Beltrami DIRECTOR Alessio Pizzech CAST RIGOLETTO Alberto Gazale THE DUKE OF MANTOVA Stefan Pop GILDA Lara Lagni Desirée Rancatore SPARAFUCILE Abramo Rosalen MADDALENA Anastasia Boldyreva GIOVANNA Laura Cherici COUNT OF MONTERONE 'Ceriani MARULLO Abraham García Boldyreva Cardinal Gonzále Simone Marchesini COUNTESS OF CEPRANO Aloisa Aisemberg A PAGE Chiara Notarnicola AN USCIER Gianluca Monti AUTHOR GIUSEPPE VERDI Giuseppe Verdi (1813-1901) is the opera composer to whom the Italian identity is most linked, because during his long career he has intoned the most intimate values ​​and feelings of a fragmented country that with its music and lyrics has learned to speak Italian. Among the favorite themes of the Busseto master also the various contradictions inherent in the parent-child relationship, interpreted by masterpieces such as Rigoletto, Il Trovatore, La traviata, Simon Boccanegra, Luisa Miller. SCENES DAVIDE AMADEI COSTUMES CARLA RICOTTI LUCI CLAUDIO SCHMID SHOOTING LUCI DANIELE NALDI ASSISTANT DIRECTOR VALENTINA BRUNETTI CHOREOGRAPHIC MOVEMENTS ISA TRAVERSI CHOIR MASTER ALBERTO MALAZZI La traviata, Simon Boccanegra, Luisa Miller. SCENES DAVIDE AMADEI COSTUMES CARLA RICOTTI LUCI CLAUDIO SCHMID SHOOTING LUCI DANIELE NALDI ASSISTANT DIRECTOR VALENTINA BRUNETTI CHOREOGRAPHIC MOVEMENTS ISA TRAVERSI CHOIR MASTER ALBERTO MALAZZI La traviata, Simon Boccanegra, Luisa Miller. SCENES DAVIDE AMADEI COSTUMES CARLA RICOTTI LUCI CLAUDIO SCHMID SHOOTING LUCI DANIELE NALDI ASSISTANT DIRECTOR VALENTINA BRUNETTI CHOREOGRAPHIC MOVEMENTS ISA TRAVERSI CHOIR MASTER ALBERTO MALAZZI

Nagoya

Japan

Nagoya Civic Hall

Sala Bibiena

Rigoletto Verdi

Public

Approved

Rigoletto | Giuseppe Verdi

From the original subject “Le roi s'amuse” by Victor Hugo, Giuseppe Verdi elaborates the first opera of the so-called “popular trilogy” (together with Il Trovatore and La Traviata ) in which he affirms his dramatic genius of the 1850s.

The censorship at the time forbade the representation of a libertine king and the character - Francis I of France in Hugo - had to be replaced with an anonymous Duke of Mantua (recognizable perhaps in a Vincenzo I Gonzaga). But the real protagonist of the drama is Rigoletto, the court jester, a sad jester infused with a dramatic power that was unprecedented in the history of the Opera. Around him the passions of the other characters are stirred: the utopian love and then betrayed by his daughter Gilda, the arrogant and cynical Duke of Mantua, the voluptuous Magdalene, the double game of the courtiers. A story destined to end in tragedy in the name of the "terrible" revenge hatched by Rigoletto to save the honor of his daughter. It will be he himself, in fact, to suffer the consequences.

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