Organization

Cantante

Soprano

Gloria Rehm

Gilda

Baritono

Olafur Sigurdarson

Rigoletto

Tenore

Carlos Cardoso

Il Duca di Mantova

Contralto

Anna-Katharina Tonauer

Maddalena

Boshana Milkov

Ivan Krutikov

Tamara Banjesevic

Basso

Karl-Heinz Lehner

Sparafucile

Bettina Ranch

Mezzosoprano

Marie-Helen Joël

Giovanna

Baurzhan Anderzhanov

Il Conte di Monterone

Daegyun Jeong

Marullo

Rainer Maria Röhr

Matteo Borsa

Mateusz Kabala

Il Conte di Ceprano

Iva Seidl

La Contessa di Ceprano

Un paggio

Regia

Frank Hilbrich

Direzione d'orchestra

Tianyi Lu

Luci

Manfred Kirst

Costumi

Gabriele Rupprecht

Scenografia

Volker Thiele

Drammaturgia

Markus Tatzig

Aalto-Musiktheater Essen

italiano

Essen

Germania

Aalto Theatre

Rigoletto Verdi

Public

tedesco

Approvato

Oper in drei Akten von Giuseppe Verdi Dichtung von Francesco Maria Piave  RIGOLETTO   Musikalische Leitung: Matteo Beltrami Inszenierung: Frank Hilbrich Bühne:…

RIGOLETTO – Giuseppe Verdi

There was long applause and many "Bravo!" Shouts at yesterday's semi-concert resumption of Verdi's "Rigoletto" 👏🎊
The atmosphere in the sold-out auditorium was fantastic, despite half the capacity 🤩So it can go on! #Best audience
The next "Rigoletto" dates:
RIGOLETTO
📅26th September; 10., 20. October; November 1st
🎟️ https://www.theater-essen.de/.../rigoletto_wiederaufnahme/

There was long applause and many "Bravo!" Shouts at yesterday's semi-concert resumption of Verdi's "Rigoletto" 👏🎊 In the sold-out auditorium there was a fantastic atmosphere despite half the capacity 🤩 It can go on like this! #Best audience The next "Rigoletto" dates: RIGOLETTO 📅 September 26th; October 10-20; November 1st 🎟️ https://www.theater-essen.de/spielplan/az/rigoletto_ Wiederaufnahme/

"The king is having fun" is the title of the template for Verdi's "Rigoletto", the first part of his "trilogia popolare". In the opera, however, it is no longer a king, but two men enjoying themselves at the expense of others: the Duke of Mantua and his court jester Rigoletto. While the duke, contrary to moral principles, lets his women's wear overflow, Rigoletto makes fun of the men of the chosen ones. At home he mimics the loving father who almost completely denies his daughter Gilda the outside world – she doesn't even know his name. It comes as it must: Gilda and the duke fall in love, Rigoletto's double existence is disrupted. Swearing revenge, he sets in motion a tremendous drama that ultimately becomes his own undoing.

Although the premiere was preceded by a long struggle with censorship, Verdi had his finger on the pulse of the times. The thematic complexes are (still today) extremely topical: a marginal figure wants to belong, but is merely tolerated. Feelings and relationships are numbed or reified in favor of one's ego - it's about power and personal responsibility. Social systems are questioned, the game of self-perception and the perception of others is fanned out again and again. As a result, a grotesque contrast arises between real versus unreal, private versus public, man versus woman, life versus death and laughing versus crying. Beneath the squeaky surface simmers a bitter seriousness, always propelled by the archaic core: a self-fulfilling prophecy. Shortly before his death, Verdi is said to have said:

English

Rigoletto by Verdi, Da (2021/2021), Diretto da Frank Hilbrich,, Direttore d'orchestra Tianyi Lu, Aalto Theatre, Essen, Germania

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