Organization

Regie

Herbert Föttinger

Lichtgestaltung

Michael Heidinger

Kostümbild

Alfred Mayerhofer

Bühnenbild

Walter Vogelweider

Videogestaltung

Raphael Kurig

Meike Ebert

Choreographie

Karl Alfred Schreiner

Dramaturgie

Fedora Wesseler

Chordirektion

Pietro Numico

Sänger

Tenor

Lucian Krasznec

Der Herzog von Mantua

Bariton

Matija Meić

Rigoletto

Sopran

Jennifer O'Loughlin

Gilda

Ilia Staple

Bass

Sava Vemić

Sparafucile

Anna-Katharina Tonauer

Madalena

Mezzosopran

Ann-Katrin Naidu

Giovanna

Timos Sirlantzis

Graf von Monterone

Ludwig Mittelhammer

Marullo

Caspar Krieger

Matteo Borsa

Holger Ohlmann

Graf Ceprano

Andreja Zidaric

Gräfin Ceprano

Martin Hausberg

Ein Gerichtsdiener

Emma Sventelius

Ein Page

Dirigat

Oleg Ptashnikov

Alexander Grassauer

Elaine Ortiz Arandes

Staatstheater am Gärtnerplatz

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Extrachor des Staatstheaters am Gärtnerplatz

Chor des Staatstheaters am Gärtnerplatz

Orchestra

Orchester des Staatstheaters am Gärtnerplatz

Italienisch

München

Deutschland

Gärtnerplatztheater

Rigoletto Verdi

Public

Deutsch

Genehmigt

Oper von Guiseppe Verdigaertnerplatztheater.de/rigolettoPremiere am 30. Januar 2020Libretto von Francesco Maria PiaveNach dem Melodrama »Le roi s’amuse« von ...

The Duke of Mantua loves pleasure and women. He has a cynical henchman in his court jester Rigoletto, because nothing and nobody is sacred to the hunchback – except Gilda, his only child. To protect her from his master's snares, he keeps her hidden from the world. But the curse of the Count of Monterone, whose daughter was dishonored by the Duke, falls on Rigoletto and a brutal fate takes its course...

»Rigoletto«, one of the most touching and, at the same time, most horrific works in operatic literature, established Giuseppe Verdi's world fame as the absolute ruler of Italian opera. He himself believed that he would never be able to create anything so beautiful again. Composed on the basis of Victor Hugo's atmospheric drama »Le roi s'amuse«, the opera combines all the elements that opera audiences loved around 1851 and that still inspire today: a cynical outsider figure in the midst of lust and violence, guilt and innocence. The Viennese theater director and director Herbert Föttinger devotes himself to the abysses of the characters and brings the ice-cold, brutal world around the duke, which increases Rigoletto's longing for family warmth, to the stage in a powerful and rich in contrast.

English

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