Organization

Cantante

Soprano

Yolanda Auyanet

Elisabetta

Direzione d'orchestra

Yves Abel

Regia

Alessandro Talevi

Scenografia

Madeleine Boyd

Costumi

Luci

Matthew Haskins

Coreografia

Maxine Braham

Baritono

Franco Vassallo

Il duca di Notthingham

Mezzosoprano

Nancy Fabiola Herrera

Sara

Tenore

Ismael Jordi

Roberto Devereux

Alejandro del Cerro

Lord Cecil

Basso

Javier Castañeda

Sir Gualtiero Raleigh

Contralto

Ricardo Llamas Márquez

Un paggio

Un familiare di Notthingham

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Siviglia

Spagna

Teatro de la Maestranza

Sala Principal

Roberto Devereux Donizetti

Public

Approvato

¿Puede un poder terrenal librarnos de la vejez y la muerte? ¿Se puede forzar a alguien a amar a quien no ama? La reina Isabel I de Inglaterra ama a Roberto D...

Bel Canto, ice that scorches

Can some earthly power save us from old age and death? Can one force a person to love someone whom one does not actually love? Queen Elizabeth I of England loves Roberto Devereux. But, he loves another. With her leadership defeated by heartbreak and decrepitude, the queen falters. She sings: “I no longer reign, no longer live...” Passion and palace conspiracies intertwine in Roberto Devereux (1837), a mature opera by Gaetano Donizetti. The final work of his”Tudor Queens” trilogy, the Maestranza concludes its cycle to coincide with the 225th anniversary of the birth of the composer from Bergamo. The opera is based in historical fact but fictionized in an exacerbated romantic tragedy that calls for fevered vocal virtuosity. Canarian Yolanda Auyanet and Jerez tenor Ismael Jordi, a master of Bel canto who returns to our theatre, take on two of the most demanding roles of the repertory. Canadian conductor Yves Abel, is a specialist in Italian opera, having triumphed in Berlin, Vienna or New York. The production comes from the Welsh National Opera and has been a success in important European opera houses.

Runaway passion, political intrigue, jealousy, abuse of authority and revenge. Love and death in Roberto Devereux, zenith of Bel canto, comes to the stage for the first time at the Maestranza.

español

Can some earthly power save us from old age and death? Can one force a person to love someone whom one does not actually love? Queen Elizabeth I of England loves Roberto Devereux. But, he loves another. With her leadership defeated by heartbreak and decrepitude, the queen falters. She sings: “I no longer reign, no longer live...” Passion and palace conspiracies intertwine in Roberto Devereux (1837), a mature opera by Gaetano Donizetti. The final work of his”Tudor Queens” trilogy, the Maestranza concludes its cycle to coincide with the 225th anniversary of the birth of the composer from Bergamo. The opera is based in historical fact but fictionized in an exacerbated romantic tragedy that calls for fevered vocal virtuosity. Canarian Yolanda Auyanet and Jerez tenor Ismael Jordi, a master of Bel canto who returns to our theatre, take on two of the most demanding roles of the repertory. Canadian conductor Yves Abel, is a specialist in Italian opera, having triumphed in Berlin, Vienna or New York. The production comes from the Welsh National Opera and has been a success in important European opera houses.

Runaway passion, political intrigue, jealousy, abuse of authority and revenge. Love and death in Roberto Devereux, zenith of Bel canto, comes to the stage for the first time at the Maestranza.

English

Roberto Devereux by Donizetti, Da (2022/2022), Diretto da Alessandro Talevi,, Direttore d'orchestra Yves Abel, Teatro de la Maestranza, Siviglia, Spagna

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