Name: Romances by Rachmaninoff
Start: 2023-10-04T00:00:00.000Z
End: 2023-10-04T00:00:00.000Z
Location: Zaryadye Hall

Organization

Zaryadye Hall

Instrumentalist

Pavel Nebolsin

Piano

Romances by Rachmaninoff

Moscow

Russia

Small Hall

Romances by Rachmaninoff: Concert Various

Public

6 Romances, op. 38

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Tenor

Countertenor

Bass

Bass-baritone

Soprano

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Камерно-вокальная лирика Рахманинова – особый художественный мир, в котором запечатлелись лучшие черты дарования композитора: эмоциональная открытость, тонкий психологизм, красочность письма и мелодическое богатство. Романсы были для Рахманинова исповедью его души и одним из символов родины. Не случайно после эмиграции композитор так и не вернулся к этому жанру.

Романсы создавались Рахманиновым на протяжении четверти века – от первых опусов 1890-х годов, ещё находящихся в рамках русского камерно-вокального письма XIX века, до последнего цикла из шести романсов ор. 38 (1916). Не будучи убеждённым новатором, Рахманинов заметно обновляет музыкальный язык и традицию в целом.

Важной чертой, характеризующей камерно-вокальное творчество в начале XX века, стала возрастающая роль фортепианной партии. Фортепиано не только поддерживало солиста, но и помогало досказать за него то, что не способно выразить слово. Так это происходит и в романсах Рахманинова. Фортепианные партии отличаются яркостью, виртуозностью и эмоциональной наполненностью.

русский

Rachmaninov's chamber-vocal lyrics are a special artistic world that captures the best features of the composer's talent: emotional openness, subtle psychologism, colorful writing and melodic richness. Romances were for Rachmaninov a confession of his soul and one of the symbols of his homeland. It is no coincidence that after emigrating, the composer never returned to this genre.

Romances were created by Rachmaninov over a quarter of a century - from the first opuses of the 1890s, still within the framework of Russian chamber vocal writing of the 19th century, to the last cycle of six romances op. 38 (1916). Without being a convinced innovator, Rachmaninov significantly updates the musical language and tradition as a whole.

An important feature characterizing chamber vocal music at the beginning of the 20th century was the growing role of the piano part. The piano not only supported the soloist, but also helped to express for him what words were unable to express. This is how it happens in Rachmaninov’s romances. The piano parts are distinguished by their brightness, virtuosity and emotional fullness.

English

Romances by Rachmaninoff by Rachmaninoff, Nuo (2023/2023), Zaryadye Hall, Moscow, Russia

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